Recent content by tmitchell33

Also see if you encounter the same issues when using real time bounce. I don't quite understand how you can tell you are loosing high end before the bounce, how do you mean?

this

When I play hard the FR will quaver slightly, and they are notoriously difficult to setup with thick strings. I play in B and I wouldn't use anything lighter than 64. Gauge 64 - 72 on a FR = prolapse

Haha yeah NT all the way, I would never buy the FR variant for this genre

Yeah looking at a second hand 737 (Or similar quality channel strip) so around the 1600 mark. I am strongly considering a MH1000, I didn't think the Horizon was worth the extra money and in fact sounded a little flabby in the low end.

Sounding pretty good man, vox sound good (Nice level). A more aggressive master would give it a bit more size

Hey man, drums sound a little thin and pokey and the top end is a little brittle

Thanks man, sounds like a fair call. I'm holding off guitars for a few weeks saving my $ for Avalon 737 and an ESP MH NT! Should be killer

Hey guys I took some of your advice on board, here is a revision of the bass track. I also just got C6 so I was able to tame the high end properly https://dl.dropboxusercontent.com/u/109965412/C6%20Test.wav

Nice, it is easy to get carried away with EQ. I often like to bypass all my processing just to make sure I am not over doing anything. I always remind myself that SSD / Superior / BFD are already processed sounds, so less is often more..

Coming along well. The top end in the OH is a little harsh, drums sound fairly raw which is not necessarily a bad thing. Bass needs a bit of work. Guitars aren't bad but sound much better by themselves - the combined L and R becomes a bit fizzy.

Thanks guys, it would seem the general advice is to bring up the grind - I will work on this! It is mainly snare 22 SSD. The snare room mic is sent to the same OP (this is critical), I use the a compressor to bring up the snare tail using a slower attack and release. Use a ratio of say 2:1 as...

Cool mix, the vox are a bit dry. The master compression is wrong and the eq could be shaped a little better in my opinion. Coming along though

This breakdown is fucking sick. I can hear overdrive at 0:20 when the toms hit (watch the low end). Snare sounds nice - personally would like a little more room on the snare but sounding pretty damn cool

Thanks man, yeah I have a bright track running through a sansamp distortion (lots of click and grind) I was thinking of bringing it up! Thanks for the input