I found a finnish review at http://www.pimento.cjb.net/ and I translated it in english for EoS fans:
Personally the new Edge of Sanity album (the second part of the great Crimson) is absolutely one of the most expected releases for me. The story is divided into 9 parts and there are 44 tracks even though it really is only one big song as the precessor was. First it was announced that Peter Tägtren was going to growl, but maestro Dan Swanö realised in studio that he could still growl well. -- Half of the grunting is done by Roger Johansson. Music is Edge at it's best, which was what I expected. The album has some of the riffs from the first album. They are cleverly used in a new way. Swanö has really thought about wholeness. I doubt that one could get bored by this album, because one can find new nuances all the time. The album has also connection to the brilliant Moontower, especially keyboards. The sound is perfectly made. Guitars are heavy and rough and bass roar well. Mikael Åkerfeldt (Opeth) wasn't screaming this time, but there have been other guest performers. For example Mercyful Fate's Mikae Wead has a few unbelievable solos. And Kristian Wåhls gorgeous paintings make the finishing touches. This album has a place next to other EoS classics. Definetely one of the best albums this year.
review: juha riikonen 10/10
The review in finnish was a bit clumsy, but I didn't want to make big changes, so the translation isn't really a good one. Sorry about that.
Personally the new Edge of Sanity album (the second part of the great Crimson) is absolutely one of the most expected releases for me. The story is divided into 9 parts and there are 44 tracks even though it really is only one big song as the precessor was. First it was announced that Peter Tägtren was going to growl, but maestro Dan Swanö realised in studio that he could still growl well. -- Half of the grunting is done by Roger Johansson. Music is Edge at it's best, which was what I expected. The album has some of the riffs from the first album. They are cleverly used in a new way. Swanö has really thought about wholeness. I doubt that one could get bored by this album, because one can find new nuances all the time. The album has also connection to the brilliant Moontower, especially keyboards. The sound is perfectly made. Guitars are heavy and rough and bass roar well. Mikael Åkerfeldt (Opeth) wasn't screaming this time, but there have been other guest performers. For example Mercyful Fate's Mikae Wead has a few unbelievable solos. And Kristian Wåhls gorgeous paintings make the finishing touches. This album has a place next to other EoS classics. Definetely one of the best albums this year.
review: juha riikonen 10/10
The review in finnish was a bit clumsy, but I didn't want to make big changes, so the translation isn't really a good one. Sorry about that.