Adrenaline Mob's new one sounds like....

Gee, maybe this project is something that Russell actually wants to do, and is getting some enjoyment out of it?
Perhaps... although he seemed more like a man going through the motions, than a man embracing his passion.

And maybe some extra cash....who knows?
As I said earlier, if he’s looking to make some money during SX’s down cycles, he should look elsewhere. When you’re drawing less than 100 paid, at $10 a head, on a Saturday night, then you’re practically playing for beer money. If this is about extra cash, then it’s definitely time to move on.

If A-Mob is where his heart is at right now, more power to him.
If this is where his heart is right now, than I hope he has nothing to do with the writing of the next SX album, as the lyrics read as if they were written by a 15 year old.

It's not up to us to tell an artist how to handle his career.
He may handle his solo career however he chooses. My comments weren’t directed at Russell, as I’m assuming he doesn’t read this forum. My comments were directed towards anyone who might be on the fence about seeing Adrenaline Mob on this tour. I go to about 30 live shows a year. I feel it is up to us, as a community, to promote the things worth promoting and to help each other steer clear of those things that aren’t.
 
I've had a hard time getting into the cds......and when they started their tour here in the Chicagoland area, i decided to pass. I'm just not feeling these guys and will be skipping purchasing future releases.
 
I kind of see it as a fun side project. Its not terrible, its just that we expect way more out of Russell I think.
I've used AMob to "convert" a few people over to Symphony X. I know everyone hates the term, but the band has a somewhat Brometal sound. But then you have Russell in there with his signature awesome voice. Thats when I say, hey if you like this sound, give this SymX song a try.
Its seriously worked with two people who now like Symphony X and have asked me for more suggestions. :)
 
I thought both of their albums were OK (the first was better than the second). Nothing to write home about by any means. But I've seen them live 3 times, and it was a solid, fist-pumping metal show each time. Nowhere near the greatest shows I've seen, but the band was clearly into it, and everyone on stage seemed to be enjoying themselves. Their songs aren't good enough that I would run out the day they released a new disc, but their live shows are fun enough that I'll give the disc a listen if they're touring in my area (which they have on all 3 of their tours so far). Their attendance has indeed gone down... the most recent show I saw last month in the Tampa area had an audience of maybe 60 (on a Thursday night, and only 1 opening band to draw additional locals). Near as I can tell, they booked smaller venues this time because Mike Portnoy's departure meant a certain contingent of fans would no longer show up. Oddly enough, I saw The Winery Dogs a couple weeks later, (also on a Thursday), and their attendance was considerably greater (I'm guessing 200 - 300), and at double the ticket price. Of course, that's not just Portnoy's fans, but also Kotzen and Sheehan. But anyway, I can understand Russell Allen looking to do something between Symphony X cycles... Symphony X is not exactly a prolific band at this point, and when they do put something out, most of the songwriting credit (and I assume profit) goes to Michael Romeo. Even before starting Adrenaline Mob, Allen mentioned in interviews that he is a fan of classic non-prog hard rock and metal. So it's not really a huge surprise that he teamed up with Mike Orlando and is playing this style of music. As for being profitable, I imagine they're not raking in the cash right now, with the low ticket prices and sketchy concert attendance. But it seems like they may be doing a decent job building momentum, what with their recent stint opening for Avenged Sevenfold.
 
poop

I think that half of the problem is the weak, grade school lyrics. The content is aimed at selling to a younger audience, not us old fucks who think that "The Divine Wings of Tragedy" is the greatest thing since...well...ever!
 
I think that half of the problem is the weak, grade school lyrics. The content is aimed at selling to a younger audience, not us old fucks who think that "The Divine Wings of Tragedy" is the greatest thing since...well...ever!
I agree. However, I (for one) have no issues with the bands that dominate the demographic they're seemingly trying to tap into. I love Disturbed, I dig Godsmack, and I enjoyed the last A7F record. To my mind, the real problem is that the songs are just flat out weak, regardless of what audience they're targeting.
 
I agree. However, I (for one) have no issues with the bands that dominate the demographic they're seemingly trying to tap into. I love Disturbed, I dig Godsmack, and I enjoyed the last A7F record. To my mind, the real problem is that the songs are just flat out weak, regardless of what audience they're targeting.

I have to agree there. I find their songs ok and their live show solid, but Disturbed and Avenged Sevenfold are definitely better songwriters IMO, and maybe even Godsmack, who I'm not even that into.