The only one that I find surprising is Pearl Jam, and only sort of. Amon Amarth have been a big name - and getting bigger at a steady clip - since Versus The World.
All very valid points. What I'm really trying to chip away at is how this chicken/egg scenario can really work with bands outside the norm. For example, if prog or power band A or B toured the way Behemoth does in the US circuit, how much of that work do you think would realistically translate into album sales and then into more tickets sold and so on? And for a band like Behemoth, how much of it is the touring itself, and how much is it that they simply fit easier into an already established criteria/range of popularity that can be banked on by promoters/record companies? Basically: How does the traditional/power/progressive metal band build up that following - if it's possible - in the USA?
I don't want WHITESNAKE and I bought AMON AMARTH and I'm 42. Far from being a kid. A bunch of my buddies bought the new AA, too and they're in their late 30's, also.Dads bought Whitesnake. Kids bought Amon Armath.
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AeonicSlumber, I agree with just about every point you've made in this topic save for the fact that you said you stopped caring about Amon Amarth since "The Crusher". Great album, but I truly think that the band hit it's peak with "With Oden on our Side" and the two since then are great too. I've probably listened to this new Amon Amarth 10 or so times through since I bought it and it keeps getting better. Amon Amarth are in some ways the Manowar of death metal, but this is quality stuff. And it TOTALLY deserves to have sold this well. Give this album a chance, brah.
And even if they landed a big agency like TKO, Pantheon, ICM, Kenmore or The Agency Group, if they and the management don't want to invest into sacrificing profit for long term developmental benefits and just stick to headlining for some quick bucks, they will never do super well. Amon Amarth did so many support tours, opening for Bodom like 3 times, Sounds Of The Underground,, etc etc that they wound up exposing themselves to tons of kids who got into the music and bought the band, not unlike In Flames, Lacuna Coil, Dragonforce, Opeth, Children Of Bodom, and soon to be Gojira and Behemoth. A select batch of these European bands were simply willing to haul ass and it paid off.
Exactly.....they were smart with what tours and shows they jumped on. While some may say that I was saying the opposite on the Blackguard thread....Amon Amarth jumped on more solid lineups that would expose them to a large crowd while the later just jumps on any tour. AA were always solid on every tour and put on a powerful live show so it is hard not to watch even if you are not the biggest fan. AA proves that putting 100% into it can pay off.
1984 was a great year. So many classics.
Someone post that video of the 10 year old little girl getting Amon Amarth tickets for her birthday and flipping out plz!!!