Shameless plug for my amp here, but it's also interesting to just hear how bad some amps are in regards to noise.
Here were the test conditions. I used the same cab (Wolfe 4x12, V30) with the same mic (SM57) for all tests. Mic position stayed the same through out the test, I just switched the cable from amp to amp. Mic pre level stayed constant on each clip. The amps used were my 5150, SLO clone, and the Hellfire. I tried my best to match the gain on each amp, as well as eq and power amp controls(depth/presence), as well as the master volumes (I first matched by ear, then checked the DAW meters to make sure they all checked out equal). All of those controls make a big difference on noise, so trying to match them as best as possible was essential. And to be fair, I must mention that the power and preamp tubes can make a difference as well. In this test the power tubes are all SED =C= 6l6's from a matching lot, and were all biased on each amp to a modest 32mA. The preamp tubes are all Tung Sol 12AX7, with the exception of the phase inverter in the Hellfire which is a NOS JAN 12AT7. Also, to be fair again, the SLO is a homebrew, so I have no idea how noisy a real one from Soldano is. My wiring job could be better, making it quieter than a real one, or vice-versa. Irregardless, I think the test shows how well I designed and set up the Hellfire. I spent a lot of hours trying to do everything I could to get it to be as quiet as possible, since less noise means less crap in your tone, and also requires less gate threshold when playing live, and I don't need to explain why that is good. So listen and enjoy. Once again you just have to trust me that the amps were set up to equal gain and volume.
The 5150 noise is very loud. Not really any dirty hum present, but damn that resistor noise and what not is HORRIBLE. I'm sure everyone with a 5150/6505 knows this noise all too well, as it's been persistent on every one I've heard.
The SLO is a lot less noisy than the 5150, but has a bit of hum in there.
The Hellfire is pretty quiet at a high master volume setting. You can still hear a bit of noise going on, but not as bad as the other 2 amps. The real magic happens with a turn of the noise cut knob. Works very well, and doesn't kill any notes or mess with the amps tone.
Here were the test conditions. I used the same cab (Wolfe 4x12, V30) with the same mic (SM57) for all tests. Mic position stayed the same through out the test, I just switched the cable from amp to amp. Mic pre level stayed constant on each clip. The amps used were my 5150, SLO clone, and the Hellfire. I tried my best to match the gain on each amp, as well as eq and power amp controls(depth/presence), as well as the master volumes (I first matched by ear, then checked the DAW meters to make sure they all checked out equal). All of those controls make a big difference on noise, so trying to match them as best as possible was essential. And to be fair, I must mention that the power and preamp tubes can make a difference as well. In this test the power tubes are all SED =C= 6l6's from a matching lot, and were all biased on each amp to a modest 32mA. The preamp tubes are all Tung Sol 12AX7, with the exception of the phase inverter in the Hellfire which is a NOS JAN 12AT7. Also, to be fair again, the SLO is a homebrew, so I have no idea how noisy a real one from Soldano is. My wiring job could be better, making it quieter than a real one, or vice-versa. Irregardless, I think the test shows how well I designed and set up the Hellfire. I spent a lot of hours trying to do everything I could to get it to be as quiet as possible, since less noise means less crap in your tone, and also requires less gate threshold when playing live, and I don't need to explain why that is good. So listen and enjoy. Once again you just have to trust me that the amps were set up to equal gain and volume.
The 5150 noise is very loud. Not really any dirty hum present, but damn that resistor noise and what not is HORRIBLE. I'm sure everyone with a 5150/6505 knows this noise all too well, as it's been persistent on every one I've heard.
The SLO is a lot less noisy than the 5150, but has a bit of hum in there.
The Hellfire is pretty quiet at a high master volume setting. You can still hear a bit of noise going on, but not as bad as the other 2 amps. The real magic happens with a turn of the noise cut knob. Works very well, and doesn't kill any notes or mess with the amps tone.
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