zenx said:
The meshuggah-like stuff is pretty decent sounding, I'd love to get at least tones like that, maybe I should ask for his presets?
Post your settings and presets! 
I came across the songs on the DFH forum and he actually listed his settings there too:
taken from
http://www.toontrack.com/cgi-bin/yabb/YaBB.pl?board=demos;action=display;num=1081189963
For the song called Spirals:
"Mode: Warp
Gain: 12
Master: 5
Bass: 2.6
Mid: 4.1
Treble: 4.3
Presence: 7.4
The major problem with this plugin is that on the high gain setting, the attack portion becomes overly bassy, so instead of a clear and precise rhythm sound, you end up with a muddy "thump". I placed the Waves Q2 Parametric pre-Warp and just rolled off some of the extreme lows; seemed to do the trick!"
I mailed him about his Amplitube settings for guitar on Clarity in Chaos and this is what he replied:
".... with regards to Amplitube settings, my studio laptop is currently in a bag so I can't call the settings up right now. I can give you a rough explanation though.
On the songs I have up at soundclick, I used the Solid State lead pre amp, set to around 4-o-clock, as it's a good deal less "noisy" than modern high gain (of course that was cos I used to work in front of a CRT monitor. With my laptop, I can use the Modern High Gain no probs). To counteract the sterile tone of the solid state circuitry, I use the 100W Tube Power amp, and crank the volume all the way up, so you're adding like...tube distortion to solid state pre-amp drive - just makes it a bit rounder/smoother. Then obviously just turn the master volume of the plugin down to make up for all that volume added by the gain on the power amp. The American Tube EQ model is nice for playing on your own - nice scooped Metal sound, but in a mix, it just sounds thin. I usually stick to the Brit Class A EQ as it has more body and warmth, and then whack the high/presence up to take away that "under a blanket" sorta sound. Cab wise...can't go wrong with the Brit 2x12. It's pretty much all I use. That, or the Vintage Open Back 4x12, as that has a naturally airy sound. Just use the post amp FX section to put some bass back into it and your set. Or, if using the thinner souding cab presets, just switch mic placement to off axis, mic type to dynamic, and smack the high and presence up to full.
I'll be out much of today, but see how you get on with the sort of setup described above. If you'd like, I can send you a couple of Amplitube presets?"
I never asked him to actually send his presets, the walkthrough did the trick for me, but he's is a friendly guy (I didn't know him at all, not even thru forums, but he was very helpfull and elaborate).
