johnzorn
Member
- Sep 20, 2004
- 126
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Hammer Bart said:On the songs I have up at soundclick, I used the Solid State lead pre amp, set to around 4-o-clock, as it's a good deal less "noisy" than modern high gain (of course that was cos I used to work in front of a CRT monitor. With my laptop, I can use the Modern High Gain no probs). To counteract the sterile tone of the solid state circuitry, I use the 100W Tube Power amp, and crank the volume all the way up, so you're adding like...tube distortion to solid state pre-amp drive - just makes it a bit rounder/smoother. Then obviously just turn the master volume of the plugin down to make up for all that volume added by the gain on the power amp. The American Tube EQ model is nice for playing on your own - nice scooped Metal sound, but in a mix, it just sounds thin. I usually stick to the Brit Class A EQ as it has more body and warmth, and then whack the high/presence up to take away that "under a blanket" sorta sound. Cab wise...can't go wrong with the Brit 2x12. It's pretty much all I use. That, or the Vintage Open Back 4x12, as that has a naturally airy sound. Just use the post amp FX section to put some bass back into it and your set. Or, if using the thinner souding cab presets, just switch mic placement to off axis, mic type to dynamic, and smack the high and presence up to full.
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Yeah, thats basically the "The Famous High Gain" preset in Amplitube. I was messing with it all last night. Its very airy and has good bass to it. Although I was paranoid of messing with it and touchg the FX eq, I decided to juse use some post Waves REQ6 and the Sonic Maximizer plug-in. It got me pretty close to the Killswitch Engage"End of Heartache" crunch. My ears arn't too tuned to knowing what frequencies to cut/boost........ehh...but I guess I'll just post the sample on SoundClick.