Ummm... the sound quality?
It's not the best, nor is it the worst.
I would say the sound quality is almost like the quality on Summoning "Lugburz", perhaps... a bit better maybe.
The mouth harp is a harder to hear a bit.The flutes and violins as well, which were recorded pretty much by synth as opposed to the real thing. Drums are decent, the cymbals are a bit too loud. Bass is decent. Vocals are the best! Guitars are good as far I know.
Ummm.... the female that I found to do this is really good, sounds a lot like Cia Hedmark. However, when I did the Otyg covers, I was in USA at the time, and basically my friend Anki helped me out with the vocals over an MSN chat honestly, and it actually turned out really well - better than what I have expected them to. I was really really suprised with the turnout! You can hear that her laptop, at times, made this kind of beeping noise.
For years now, I've been wondering what the hell this sound is and why does it make, but it's really hardly noticeable in the final cut.
Ummm... as far as anymore news goes on this record I don't have any more, I am still trying to fix kinks in it, and using the producers in my area of the underground scene - and also will be using one the best producers and mixers in the state of Pennsylvania. I really want this to be as good as I can get it, without really spending a lot of money on it because I cannot charge for it. Not because I want all of you like it - I'm doing this pretty much for myself also as a dedication to A. Hedlund so I want it to be as good as I possibly can, within reason and expence.
Skål!,
Svarthjärtad