I agree batera! I was just thinking about this today myself. For me there's that kind of difference between guitarist-songwriters and keyboardist-songwriters. Songs written by guitarists (like Mike Romeo of Symphony X or Timo Tolki of Stratovarius) may be sweeping and grand, and may be based on fantasy themes or epic stories, but they always *sound* like a guitarist wrote them, in that the story and melody play background (along with the bass, drums, keyboards, and vocals) to the guitar... everything is just there as a vehicle for the guitarist to play his technical guitar riffs. The writers may not intend this, but it's how it comes across, at least to me. (even before I know about a band, just hearing a song may make me think "sounds like the songwriter is the guitarist" and I'm usually right, hehe)... Whereas keyboardist-songwriters (a la Tuomas of NW or Toni Kakko of Sonata Arctica) appreciate the guitar, but blend it in evenly with the other instruments and vocals, and all these things work together to support the story of the song... they bring you into the beginning of the story, help you travel along with it to the end. The storytelling is paramount. This is what makes me love Nightwish so much I think. I love SymX and Strato and other "guitar-bands" too, but their songs leave me somewhat cold. I appreciate their style and proficiency, but they never make me "feel". It's a rare songwriter that has that gift. Annette definitely succeeds in helping tell Tuomas's stories when she sings, so even though she may not be a technical whiz singing-wise, she certainly does alright by me