Any violin player ?

LeSedna

Mat or Mateo
Jan 20, 2008
5,391
2
38
Montpellier, France
Hello guys,

Just wanted to see if there are people here who can play the violin. I have always been in love with Cellos and Violins in particular, and I recently decided, to boost my relative and current lack of motivation to actually "play" the guitar, to buy a cheap violin (a Stagg... but it's actually not as bad as a Stagg guitar compared to "real" violins, you can have decent starter violins for something like 100 bucks), bought good strings (yeah forgot to mention strings are worth 30 or 40 dollars themselves and you just cannot keep the original strings that don't even resist the normal tension of the E string!!), read a lot and watched many youtube videos, and I am surprised that after a few hours only you can play a few (easy) things without sounding sooo bad. The guitar experience is a major, major help since it already built up my relative hearing to be able to notice when I am out of tune (relatively to the open notes) and correct it, or simply because of the physical memory which surprisingly makes you able to play the notes in the 1st position correctly with no fret, nor needing to look at your hand.

The thing I am struggling to understand though is how to do the different vibratos. These are classical string-instrument vibratos which are different to the electric guitar one, and based on the lateral movement of the finger on the flat fretboard and the string. It's the same as the classical guitar vibrato which I do fine, and on a Cello it's quite okay because it's mainly about pressing the finger towards your body and moving the hand around that point pressing the fretboard which is blocked by your own body anyway, but because in violin you have to hold the instrument with your left hand, you absolutely cannot do a vibrato with the same strength as in the guitar with your thumb, because that makes the body vibrate with your hand and fall from your shoulder, or it makes the strings vibrate against the bow which sounds scratchy and unwanted. I'm still fighting to find the loose feeling and position of those violin vibratos. There are exercises for that but it feels like very forced to actually do the movements they show for an actual vibrato. I know it's something that normally violin teachers show you only after a few years but I just cannot stick to playing flat boring notes and I'm sure it's just a habit to take. Once you can do a clean note with an expressive vibrato, half of the game is done !

Other than that it's actually do-able to play relatively easy melodies eventhough it wouldn't sound flattering right away, I'm sure after months or a few years of training you can memorize all the correct intervals on the fretboard and play many many cool things. The good thing with this instrument is that you mostly play melodies, and with only 4 strings tuned in 5th, it's easier to navigate. The lack of frets sounds more of a problem only in the high notes actually because in the 1st or 2 position the spaces feel kinda natural between your fingers. Like half a step is exactly the space between two of my fingers in most positions. For the moment I often miss a direct note by 1/10 of a step or sometimes more but it's nice to see you can be not too un-acurate after only 2 or 3 hours of random playing. I can play Twinkle Twinkle almost perfectly in terms of tuning sometimes. I also feel that it's a lot about confidence and if you hit the bow firmly and confidently on the strings while being very relax, and move the left hand like you would play some semi-shred guitar parts, it's easier to create the clean note. Of course the difficulty goes exponential with the speed and complexity of a piece but I now get why and how violin players can play those things on a fretless board.

My goal would be to be able to play cool folk songs, be able to find quickly any melody on the fretboard , and why not play some classics like the Albinoni Adagio etc.

So any violin player here to share some thoughts or give advices ? Cool songs to learn, tips, frustration stories ?
 
Been playing the violin for 14 years, (horrendously out of practice now though :( ). I'll edit this to a proper reply later, but all I would say is that if there's ever an instrument where a teacher is worth paying for, it's the violin. Having the right technique is critical for long term progress and it's very tricky to get right without someone watching you and identifying problems.
 
Never played the violin but my favorite instrument to listen to is the cello. Actually I think that there is nothing more beautiful than a piano and cello duo.
 
Been playing the violin for 14 years, (horrendously out of practice now though :( ). I'll edit this to a proper reply later, but all I would say is that if there's every an instrument where a teacher is worth paying for, it's the violin. Having the right technique is critical for long term progress and it's very tricky to get right without someone watching you and identifying problems.

Yes I think you are right. Yesterday I stumbled upon a street player, very very good player, and went to ask him if he gives lessons but he is not from here. I'm planning on finding one that speaks english or french in my area.

Any example of piano/cello duos ?
 
Back on violin, a teacher is mandatory. Building your technique is hard and wrong technique can harm your neck or wrist. Yes, it's boring but necessary. I had 2 months training a few years ago and I had to drop because of my carpal tunnel problem. First few months are unbearable for everyone. :lol:
 

Just reminded me of this one :



About teachers/technique : yes I am planning on following lessons with a private teacher. These days I have spent time mostly on getting things correct. I find that spending a little time, effortless, and not getting stuck in frustration, to work very well. Day 1, I couldn't do anything without being crispated, Day 2 I got how to bow, Day 3 how to hold the instrument without using my neck, etc, until yesterday when I could actually "play" because I bought new strings (2 of the original ones broke instantly when I tried to tune them), and today is "I just discovered I didn't hold the bow 100% correctly with my fingers"-day.
 
Last edited by a moderator:
The moment when the violin becomes worth playing: When it sings. I don't know how else to put that, but you'll know when it happens. Suddenly the instrument stops being the sound of a bow sawing on some strings and becomes a voice.

Bow technique is the core of the sound of course. The more relaxed you are the better, there's a perfect amount of pressure for every note and often it's less than you think. Experiment with bow speed as well as bow pressure, volume and tone are formed from a mix of the two.

Try to use the whole bow. The heel (nearest your hand) is good for power, but can be harsh (the weight of the rest of the bow means there's quite a lot of pressure even without you pressing at all). The tip is light and airy, but can often be weak and wispy. The majority of normal playing is based in the center of the bow, but with plenty of movement (i.e. not just sawing away with 4 inches in the middle :p)

You'll know you've got the bow technique on the right track if you can hold the bow comfortably with only your thumb and the point of your little finger. You should even be able to play like that, although you'll lack any pressure (which should all be from the 1st/index finger).
 
I think I see what you mean. The relative simplicity of the instrument (if you remove the technical aspect) makes it a good candidate for true expression playing, as in direct translator of what is in your mind. I already feel I can just forget about my eyes when I play it because it's not helping anyway and thanks to my experience of guitar playing which already taught me physical memory for the position of the fingers.

I get that relaxation for the bow yes, I realized during the first minutes the note was "normal" when I was only moving it to the strings but without trying to guide it too much vertically which made my hand crispated. Also I realized the biggest thing aside the fact my muscles aren't yet tuned for it, is that my crispation on the left hand is what blocks my vibrato. Because you can be crispated for the guitar vibrato (and mine is actually strong, or at least I love to make it strongs and energic) but it doesn't work here since pressing the strings too much is not helping at all and the fingers need to move. Like you say I tried different speeds and my brain is not yet tuned to that, since it assimilates speed and power to high tempo, but I can see its use. Like a large bow movement with a powerful vibrato be used for a slow romantic part.

Thank for the tips about the "whole box". I still need to get all of this myself with practice, I noticed players don't always use the same part of it for similar melodic lines (especially fast tremolos, I've seen the use of either tip of the bow for those).

Thanks for the bow holding technique too, I spend 30mn this afternoon watching videos which made me realize what was the actual correct technique eventhough I was comfortable before. I still need to get used to this position (I naturally use the same fingers but used to place them too much over the plastic part that links the bow body and the "strings" - don't remember the name - while the 1st finger has to go a bit more towards the tip and reach the metallic part). What about the pinky ? I feel like I'm using it to press against the body of the bow to avoid it to fall because of its weigh, and I feel I'm using it to control the angle, just like the 1st finger does it in the other direction. Is this normal or is the pinky supposed to be "useless" ?

EDIT : I guess you would answer "it is normal" since you mention using only the thumb and little finger.