Audio Sample Size & Rates

Bloody hell! I use 48/16.
Does it make any difference for a human ear between 16 or 24?
I track at 48 and then export at 44.1 with cubse and I do not notice any horror.

You little bastards, I'm worried and paranoic, from now on I will record at 44.1/24.
 
After downsampling many mixes going from 48k to 44.1, I've found a very minimal audio quality loss. Still a loss is a loss. Not that big of an audible difference tho :)
 
After downsampling many mixes going from 48k to 44.1, I've found a very minimal audio quality loss. Still a loss is a loss. Not that big of an audible difference tho :)
you will not likely have heard any difference at all in a dense metal or rock mix.... i doubt it very seriously.... but it's a moot point, because CD's are 44.1 and you'll have to convert to burn one anyway.
 
according to rupert neve to attain an equivalent sound qualtiy to that of analouge recording you would have to use 24/192
 
I was reading this article the other day and it was about Japanese and German audiologists conducting tests on if people can hear the difference between sample rates and comparing different sample rates to analog. For the most part they were not able to prove that there was an audible difference.
 
according to rupert neve to attain an equivalent sound qualtiy to that of analouge recording you would have to use 24/192
knock yerself out boss.... i'll carry on as i am.... along with every other producer i know... including Andy, Nördstrom, Madsen, etc. etc.
 
knock yerself out boss.... i'll carry on as i am.... along with every other producer i know... including Andy, Nördstrom, Madsen, etc. etc.

sorry didnt mean to say you where wrong i mean you deffinatly have more experience when it comes to this kind of stuff so i trust your judgement. :notworthy :notworthy :notworthy i was just saying tryin to give a different point of veiw. 44.1 is a great sample rate but to me id still take analogue over digital and according to mr neve to attain that type of sound quality you have to use 192.
 
according to rupert neve to attain an equivalent sound qualtiy to that of analouge recording you would have to use 24/192

Well even that is argued ALOT. Dan Lavry of Lavry Converters claims that anything over 96k is a waste, and he says that the equivalent of "analog" (which is a crock altogether IMHO) is actually somewhere in the 64k range...or something to that extent...some random number that no one uses....This PDF is pretty interesting read if you really care that much....

www.lavryengineering.com/documents/Sampling_Theory.pdf

For the record, I use 44/24 98% of the time...
 
Well even that is argued ALOT. Dan Lavry of Lavry Converters claims that anything over 96k is a waste, and he says that the equivalent of "analog" (which is a crock altogether IMHO) is actually somewhere in the 64k range...or something to that extent...some random number that no one uses....This PDF is pretty interesting read if you really care that much....

www.lavryengineering.com/documents/Sampling_Theory.pdf

For the record, I use 44/24 98% of the time...

an interesting article deffinatly made me rethink the 192 sample rate. thanks
 
Im glad for this thread, i was pondering this myself, i've always done 44.1/24 because it's one of the first things i learned on the forum here. But people have given me shit for it. one guy even told me that 24 bit is a waste at 44.1 and i might as well be using 16 bit!?