Hello Guys!
Let me first introduce myself. I'm Merten and i've been playing guitar for some years now. But today i am more interested in recording stuff. I started recording my first a couple of years ago. Very cheap stuff, no idea of what i am doing and so on. For about two years i try to get deeper into this recording thing. It started when I bought a Toneport UX1. The stuff i recorded was okay but far away from good or mindblowing. I searched the web for presets and EQ-settings to get behind that massive sound of a good production. I was really surprised what amazing sounds people create with their software ampsims. I never came close to it. Blablabla i tried a lot of stuff, read a lot of tutorials on mixing metal and mixing in generell, but i never managed it to get a sound i am pleased with.
Then I decided to try micing some real amps.
Here is what i came up with:
http://dl.dropbox.com/u/55299866/MixTry.mp3
(BTW this is a coversong i learned while recording, so please excuse sloppy playing
)
First i want to say what I did there ^^
I quadtracked the guitars. 6505 100% right and left. Engl Powerball 75% right and left.
The Signalchain was:
Viper 400 (With EMGs) -> Maxon OD808 -> 6505 or Engl -> Shure SM57 -> Toneport (all settings dry) -> DAW
Settings on the 6505:
Red Channel:
pregain: 2, low about 6, mid 5, high 4, postgain:3-4, resonance about 6-7, presence 7-8
Settings on the ENGL:
Gain: 9 o'clock, Bass 1 o'clock, Mid-open 2-3 o'clock, Treble 3 o'clock, Lo Lead Vol: 10 o'clock, Presence 1 o'clock, depth punch 11 o'clock
What happened to the guitars?
I send each amp to a seperate bus (6505 and engl bus) and then send both busses to a main guitar bus.
I did some eqing on each track.
6505: Low-Cut at 118Hz, Highcut at 7200Hz
some cuts at 360 and 570 Hz to clean up the mud.
Engl: Low-Cut at 172Hz, Highcut at 7000Hz
cuts at 330 and 640 Hz
I compressed each Guitarbuss the Ola Englund way.
For the bass i used the dry di signal and treat it the ola england way.
Drums is superior also the ola englund way, but i think i didnt use olas preset.
I think it was another preset i found in this forum.
I hope it was'nt that boring.
I hope you can give me an advice on how to improve things. maybe the micing was bad too, idk. I think it sounded great in the room but later in the mixing progress i was like "wtf is this shit?!".
But when i used to track guitars with revalver and impulses the results sounded the same.
kind regards
Let me first introduce myself. I'm Merten and i've been playing guitar for some years now. But today i am more interested in recording stuff. I started recording my first a couple of years ago. Very cheap stuff, no idea of what i am doing and so on. For about two years i try to get deeper into this recording thing. It started when I bought a Toneport UX1. The stuff i recorded was okay but far away from good or mindblowing. I searched the web for presets and EQ-settings to get behind that massive sound of a good production. I was really surprised what amazing sounds people create with their software ampsims. I never came close to it. Blablabla i tried a lot of stuff, read a lot of tutorials on mixing metal and mixing in generell, but i never managed it to get a sound i am pleased with.
Then I decided to try micing some real amps.
Here is what i came up with:
http://dl.dropbox.com/u/55299866/MixTry.mp3
(BTW this is a coversong i learned while recording, so please excuse sloppy playing

First i want to say what I did there ^^
I quadtracked the guitars. 6505 100% right and left. Engl Powerball 75% right and left.
The Signalchain was:
Viper 400 (With EMGs) -> Maxon OD808 -> 6505 or Engl -> Shure SM57 -> Toneport (all settings dry) -> DAW
Settings on the 6505:
Red Channel:
pregain: 2, low about 6, mid 5, high 4, postgain:3-4, resonance about 6-7, presence 7-8
Settings on the ENGL:
Gain: 9 o'clock, Bass 1 o'clock, Mid-open 2-3 o'clock, Treble 3 o'clock, Lo Lead Vol: 10 o'clock, Presence 1 o'clock, depth punch 11 o'clock
What happened to the guitars?
I send each amp to a seperate bus (6505 and engl bus) and then send both busses to a main guitar bus.
I did some eqing on each track.
6505: Low-Cut at 118Hz, Highcut at 7200Hz
some cuts at 360 and 570 Hz to clean up the mud.
Engl: Low-Cut at 172Hz, Highcut at 7000Hz
cuts at 330 and 640 Hz
I compressed each Guitarbuss the Ola Englund way.
For the bass i used the dry di signal and treat it the ola england way.
Drums is superior also the ola englund way, but i think i didnt use olas preset.
I think it was another preset i found in this forum.
I hope it was'nt that boring.
I hope you can give me an advice on how to improve things. maybe the micing was bad too, idk. I think it sounded great in the room but later in the mixing progress i was like "wtf is this shit?!".
But when i used to track guitars with revalver and impulses the results sounded the same.
kind regards