Hi.
So this was pretty interesting for me from the point of view of what goes on inside a modern metal mix. Honestly... I do not understanding the choice of the guitar/bass tones. But all in all the tracks are so well eqed that they really blend perfectly. I tried out 3 experiments with these tracks.
1) I am working on a modern metal mix right now but with less digital/processed sounding bass and guitar tones. And this was my thought process:
Okay so I have a rough mix with guitars through a 5150 and bass that has a lot of distortion. If i use these stems and eq my guitar and bass tracks (using a spectrometer or... my ears :Smug
to sound similar, the mix will MORE OR LESS have the flavor that the artist intended but the tones will MORE OR LESS blend in like Machine.
I think i was successful in achieving my goal - A mix that sounds less digital and processed but has the punch and awesomeness of this mix.
2) I wanted to extract the vocals from the song and see what exactly was going on there (and more importantly why they weren't provided
). Anyway, so this was pretty easy:
Load everything in Cubase. Rip the song from the CD in wav and import that in the session too and reverse the phase of the ripped wav. Match up everything down to a single sample and the vocals should pop out.
And they did.
Well some transients from the toms and Bass drums and snare do remain but i got what I wanted. The vocals sound really good. Both the vocalists have done a good job. I will be using this as a reference show the vocalists who "Want to sound like BOO".
3)Some things i noticed about the master track compression on the final track as on the CD (okay this is a little difficult to explain):
So as soon as I loaded the tracks in Cubase i realized that individually the tracks weren't going to clip (obviously they can't) but i would have to pull the master down otherwise the master track would clip like hell.
(I don't really understand how "batch export" works but the maximizer or L3 or whatever that Joey used on the master wasn't really going to do much when each track was bounced separately whether it was in the bounce chain or not.)
However when i heard the album version and the stems i realized that to have the same listening volume i had to keep the master (of the session with the stems) at 0 db. Does this mean that in Joey's session the final track maximizer was working on levels that insanely high (peaking at 9.1db during the bass drops and averaging at 5.5db on snare hits) and bringing it down to zero? Am a little confused about this? Because this seems like a little too much compression, but i don't know... i most probably am wrong in my deduction.
EDIT: If someone wants the vocal track let me know.