Comparing any Turisas album to the Varangian Way would be unfair - that album has climbed to a pedistal for the effort and complexity the way it was executed.
With that said, then the point of this post is to emphazise something which i havn't seen on any feedback of the new album. Nygaards ability to joggle lyrics and composing, with this musical'ish flair.
"Stand up and fight" is an excellent example of Turisas anno 2011. What really sets Turisas shoulder high from all other metal bands out there is:
1/ the sheer effort and footwork they put into completing an album
2/ the way Nygaard manages to translate his lyrics into his music. I can't name another band who has embraced and successfully managed to use musical and theatrical influence in a band. A good example is "The great escape". The way he tells the myth of the vikings escape is so fluently incorporated in the music. It's a musical without actors.
Nygaards choice of music to disseminate his brainchild that is Turisas is just a logic choice and well done.
The question is: Does anyone know the way Nygaard goes about writing lyrics and composing? It's a personal method im sure, but does anyone have a clue whether he writes the lyrics first then composes or the other way around. Or maybe both at the same time? (Nygaard might know?
The other question, has anyone figured out the part in "Fall of an empire" that say's
"The sea has pulled away,
Like small children we play,
What is this?
Come take a look at all this fish?"
It's just a part of the lyrical content of the track that separates itself completely from the other lyrics - any guesses? Might not mean anything at all.
Crossing fingers to see Turisas a fourth time in Denmark, with the new material.