So I managed to get a few plays of the new album under my belt and I thought I'd just drop by some first impressions here.
Now I have to set the context of this by mentioning I was a considerable doubter of what this third album would bring - the re-modelling of the costumes, the bands mentions that they wanted a "More modern" approach on the album and above all the Stand Up and Fight single - A brilliant one off, but I wasn't sure how enjoyable a whole album in the same vein would be.
First off let's look at the big picture, the thematic spread Turisas lays before us and how SUAF fits into that tapestry. Battle Metal was very Folk Metal for me, even though it was never intended to be part of the same theme as Varangian way, I always saw it as a scene setter, an introduction to the setting of the band with very Northern roots - Sahti-Waari, Among Ancestors, Midnight sun all giving the impression of being somewhere in medieval Finland.
The Varangian way took character out of that setting and onto an epic Voyage, and whilst retaining some very folky sounds (Cursed be Iron) the Symphonic side really grew (Especially with the Dnieper Rapids and Miklaguard Overture).
SOUF is very much a scion of the Varangian way, certainly the lyrical content following off it fairly flawlessly, the sounds are very different from the 'Original' Turisas if you will though, the Symphonic focus is very obvious, certainly we can see it as an evolution of the concepts started in the Varangian way.
There's certainly a "Big" sound to the whole album, Marching drums and liberal use of brass and strings made it feel less like I was listening to a rock album, but more like I was listening to a great story, almost like a movie in sound.
The Album starts with our protagonists joining of the Varangian guard, and charts their exploits to the fleeing of Constantinople. Many of the songs are very specific in their place in the story, and in that sense I might say that there was certainly a failure on the aim of creating a less conceptual sound. That said, some songs most notably 'Fear the Fear' are very much aimed at the listener and are a really nice explanation of the bands views, which were touched upon in the first album with prelude to R.R.R.
The album is well paced, starting with forceful impetus similar to Varangian way, but early introduction of choral vocals set up the thematic sound quite early. There are few notably weak songs, though I personally found 'Take the day' and 'End of an Empire lacking'. The songs all do very well to capture the thematic settings the lyrics provide - Venetoi! Prasinoi! and hunting pirates especially.
Asside from my feelings that "End of an Empire" let's down the latter half of the album, The Bosphorous freezes over really provided a nice underlining of the saga of the past two albums. It's an enjoyable parallel between the bands small time roots in what many consider a backwater European nation, to headlining at festivals and being on the front cover of every major metal magazine in the past month. Friends got lost and hurt along the way, and certainly different people have come out at the end of the journey... is that a bad thing, well only the listener can decide that.
So, a short summary -
A very Symphonic, Story Driven Album. If you enjoyed Turisas because of there more Folky sound, then this probably isn't for you. However, the symphonic element is well done, and not overly cheesy, with several very catchy and accessible songs despite the clearly classical influences. That said, some points of the album felt a little overdone and too much like a film soundtrack rather than a stand alone piece of music.
What remains to be seen is how such an orchestral piece of music is implemented live, and how it fits into a setlist with the old favourites. With that in mind, I'll be donning the warpaint when you hit the UK this march, and get back to everybody with opinions.
Hope this was helpful and constructive.