- Nov 24, 2002
- 14,122
- 167
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Finally "Octavarium" leaked for me to review it. With the impeding coming of the release (June 7th) I was desperate to know if it will worth to spend the money.
"Train Of Thought" was such a dissapointment, such a bad collection of dirty songs influenced by mallcore and cheap Metallica, that the few moments that could be recorded on tape gave me a bad taste up to this day.
Convinced that DT decided to go the way of the dodo (moreover after LaBrie's last solo album also a great dissapointment of modernisms), I was having very low expectations for this new one, so finaly I heard it.
The Root Of All Evil: still has a bit of that modern sound they used in TOT but less palpable. The riff is mean and the music is very metal, owing to the heavier moments of Awake mostly. La Brie vocals are as ever and I notice a heavier prominence of Myungs bass, especially during Petruccis solo.
The Answer Lies Within: a sensible ballad has great feeling and the soft instrumentation is joint by great tender vocals. In the tradition of Anna Lee, The Silent Man and even Misunderstood, this one had grabbed me for sure.
These Walls: starts soft and progress to heaviness, even if the guitar sound still has a certain modern vibe the whole approach again reminds more of Awake material. I found the instruments more equilibrated as a whole. The song is basically slow/mid-tempo all through the end, and frankly after the horrible tunes of TOT is pretty refreshing hear the band going back to basics, but refusing to sound outdated.
(The edit version is 3 minutes shorter.)
I Walk Beside You: the shortest of the album 4:29, starts coupled to the end of the previous one using a tic-tac sound as bridge. Is a melodic tune that reminds me of some of Mullmuzzler material. The song dont rely on complex signatures or strange time changes, is just effective modern progressive rock. You can find some comparisons with tunes in FIT and SDOIT.
Panic Attack: this is a heavy tune which starts something like Acid Rain from LTE, after three softer songs DT goes back to punch in the wavelength of Lie, Burning My Soul, As I Am and even a bit of Strange Déja Vu. Undoubtedly the most progressive metal tune so far in the album and a clear example of what a good band should do when composing/mixing an album.
(The edit version is 3:20 minutes shorter.)
Never Enough: also comes out of the previous one and starts again with a heavy riff, with a neat mix of keys, guitar and percussion that you expect from neo-progressive metal. A clear return to the stuff they were doing in Metropolis pt2 SFAM, in other words they understood what they were missing in the last two albums.
Sacrificed Sons: the second longest song also is intertwined with the previous ones through some voice samplers (I foresee a difficult tape recording of this one), the samplers give space to piano, bass and percussion while LaBries vocals mesmerize with almost a female softness. The music has a kind of chilling atmosphere too (that I love), and the first important change hits at ~ 4:15. The tempo goes faster and definitively progressive in all attitude, the instrumental section shows the quality of these guys once again. At 7:54 the vocals return but the tempo is different from the beginning, great feeling drives the song towards the end, in what I believe it is an evolved version of Learning To Live.
Octavarium: for the grand finale, the title song is also the longest (23:59), so I expect something in the tradition of A Change Of Seasons.
Starts with a great Pink Floyd or Camel vibe, and is pure classic progressive rock. By 5:19 acoustic guitar and soft melodic vocals take over, until 8:09 when the song raises tempo reminding me at the same time Genesis and Yes by moments. Again at ~12:20 the instrumental section goes for some ELP/Yes mood. Is clear now that the guys got the hint that TOT was an ass-suck Crapallica bad ride, and found their way home to 70s progressive rock. You are not going to believe this song, for those waiting for mean metal forget it, this is about real cult to the basics. Im not afraid to say that it may be one of the best songs DT composed in their career.
Bottom line is the best album since SFAM, is a great album for a band to redeem after an ugly stain.
Score: 8.5/10
"Train Of Thought" was such a dissapointment, such a bad collection of dirty songs influenced by mallcore and cheap Metallica, that the few moments that could be recorded on tape gave me a bad taste up to this day.
Convinced that DT decided to go the way of the dodo (moreover after LaBrie's last solo album also a great dissapointment of modernisms), I was having very low expectations for this new one, so finaly I heard it.
The Root Of All Evil: still has a bit of that modern sound they used in TOT but less palpable. The riff is mean and the music is very metal, owing to the heavier moments of Awake mostly. La Brie vocals are as ever and I notice a heavier prominence of Myungs bass, especially during Petruccis solo.
The Answer Lies Within: a sensible ballad has great feeling and the soft instrumentation is joint by great tender vocals. In the tradition of Anna Lee, The Silent Man and even Misunderstood, this one had grabbed me for sure.
These Walls: starts soft and progress to heaviness, even if the guitar sound still has a certain modern vibe the whole approach again reminds more of Awake material. I found the instruments more equilibrated as a whole. The song is basically slow/mid-tempo all through the end, and frankly after the horrible tunes of TOT is pretty refreshing hear the band going back to basics, but refusing to sound outdated.
(The edit version is 3 minutes shorter.)
I Walk Beside You: the shortest of the album 4:29, starts coupled to the end of the previous one using a tic-tac sound as bridge. Is a melodic tune that reminds me of some of Mullmuzzler material. The song dont rely on complex signatures or strange time changes, is just effective modern progressive rock. You can find some comparisons with tunes in FIT and SDOIT.
Panic Attack: this is a heavy tune which starts something like Acid Rain from LTE, after three softer songs DT goes back to punch in the wavelength of Lie, Burning My Soul, As I Am and even a bit of Strange Déja Vu. Undoubtedly the most progressive metal tune so far in the album and a clear example of what a good band should do when composing/mixing an album.
(The edit version is 3:20 minutes shorter.)
Never Enough: also comes out of the previous one and starts again with a heavy riff, with a neat mix of keys, guitar and percussion that you expect from neo-progressive metal. A clear return to the stuff they were doing in Metropolis pt2 SFAM, in other words they understood what they were missing in the last two albums.
Sacrificed Sons: the second longest song also is intertwined with the previous ones through some voice samplers (I foresee a difficult tape recording of this one), the samplers give space to piano, bass and percussion while LaBries vocals mesmerize with almost a female softness. The music has a kind of chilling atmosphere too (that I love), and the first important change hits at ~ 4:15. The tempo goes faster and definitively progressive in all attitude, the instrumental section shows the quality of these guys once again. At 7:54 the vocals return but the tempo is different from the beginning, great feeling drives the song towards the end, in what I believe it is an evolved version of Learning To Live.
Octavarium: for the grand finale, the title song is also the longest (23:59), so I expect something in the tradition of A Change Of Seasons.
Starts with a great Pink Floyd or Camel vibe, and is pure classic progressive rock. By 5:19 acoustic guitar and soft melodic vocals take over, until 8:09 when the song raises tempo reminding me at the same time Genesis and Yes by moments. Again at ~12:20 the instrumental section goes for some ELP/Yes mood. Is clear now that the guys got the hint that TOT was an ass-suck Crapallica bad ride, and found their way home to 70s progressive rock. You are not going to believe this song, for those waiting for mean metal forget it, this is about real cult to the basics. Im not afraid to say that it may be one of the best songs DT composed in their career.
Bottom line is the best album since SFAM, is a great album for a band to redeem after an ugly stain.
Score: 8.5/10