How would one conduct such a practice, dear sirs.
Why I'm questioning such a seemingly simple affair is this; If the drummer is halfway through a take, he hits a cymbal, it rings out, then the next part is riding on the ride, or just a any different cymbal in the same mic (let's say you're just doing a two OH mic jobby), and he fucks that part up, and wants to go from the start of that bar? Would you not be cutting off the last cymbal sustain of the last take?
That's a very specific question and situation, of course, but I'm sure it comes up. Is it simply a question of "they have to do it from the last possible moment without that shit happening" or is there a way round it that I'm not thinking of?
Possibly a dumb question, I don't know, but my drum tracking experience is next to zero, and I'm about to venture into it in the near future and want to be armed in case stupid shit like this comes up.
Why I'm questioning such a seemingly simple affair is this; If the drummer is halfway through a take, he hits a cymbal, it rings out, then the next part is riding on the ride, or just a any different cymbal in the same mic (let's say you're just doing a two OH mic jobby), and he fucks that part up, and wants to go from the start of that bar? Would you not be cutting off the last cymbal sustain of the last take?
That's a very specific question and situation, of course, but I'm sure it comes up. Is it simply a question of "they have to do it from the last possible moment without that shit happening" or is there a way round it that I'm not thinking of?
Possibly a dumb question, I don't know, but my drum tracking experience is next to zero, and I'm about to venture into it in the near future and want to be armed in case stupid shit like this comes up.