Something just occurred to me as i was listening to epilogue.
Theres an omnipresent duality in the emotions of the character in MAYH: on one side is the love for his (former) wife and the acceptance of her forgetting him, on the other side is his hate and anger towards her.
This duality is present on the epilogue: on the left side of the stereo, the riffs keep ending on a high note, and on the rights side the end note goes down. So the left side is the positive side of his emotions and the right side is the negative side.
It almost sounds like they did on purpose, but then again, it might just be a coincidence.
Has anyone else thought of this?
Theres an omnipresent duality in the emotions of the character in MAYH: on one side is the love for his (former) wife and the acceptance of her forgetting him, on the other side is his hate and anger towards her.
This duality is present on the epilogue: on the left side of the stereo, the riffs keep ending on a high note, and on the rights side the end note goes down. So the left side is the positive side of his emotions and the right side is the negative side.
It almost sounds like they did on purpose, but then again, it might just be a coincidence.
Has anyone else thought of this?