Hi nefram, and welcome abroad.
As some of you already know (especially Children_of_COB, with whom I've exchanged a few PMs on the subject), I'm a dynamic range activist and I've been bitching about the dynamic range of COB's records (among others, but this is COB's board so obviously I'd be discussing their albums) for a while.
As a matter of fact, dynamic compression is approximately the same on all COB album, including
Something Wild. You can check
Children of Bodom's entry in the dynamic range database for proof, or rip your albums to mp3 format, run them through the TT Dynamic Range Meter and see for yourself. The average dynamic range on all COB albums is around 5db, whereas a good ballpark figure for metal records is around 10db.
Dynamic range should NOT be confused with overall sound quality and/or instruments' tone. The latter is an artistic choice you may or may not agree with, but it's got nothing to do with sound quality (unless, of course, the record was compressed so much its timber got twisted). Dynamic range is
part of what makes a record sound good, and sometimes compression can be an artistic choice as well. What should not be, is artists that sacrifice their records on the altar of the Loudness War, and make them sound flat and loud under the wrong assuption people will like them more that way. This has been proven wrong by research, and there's a link in my signature about it for those who'd like to delve into the matter.
I'll give a brief explanation of dynamic range and compression here to give you an idea what we're talking about.
Feel free to skip it if you're not interested.
Modern albums are recorded, mixed and mastered in the digital domain - i.e. signals are digital from the beginning to the end of the process, until a DAC (Digital-to-Analog converter) chip in our players makes them analog to let us hear them. In the digital domain there is an inherent limit to how loud things can be, and that limit is 0db. Anything louder than 0db is automatically cut in what is called
clipping. On top of making you lose actual content, severe amounts of
clipping can also result in audible treble distortion (this is not the case with any COB album, though some do have clipping). Now,
peaks are supposed to be as close as possible to 0db. CDs do in fact retain their full 16bit resolution only at maximum volume, and lose 1bit of resolution for every 6db lower than the maximum. Hence, recording an album with
peaks at -6db means recording an album with an actual resolution of 15bit.
That being said, dynamic range is the difference in sound pressure between the loudest (0db) and the quieter sound in a record. To make records louder, since you can't go past 0db, your only option is to make quieter sounds as loud as the others, thus compressing dynamic range. This results in a flat, unnatural sound (reality is dynamic) that becomes progressively harder for your brain to decipher, the longer it is exposed to it (human brains expect dynamic stimuli by their own nature, since they exist in a dynamic context; listening to a compressed record is like listening to somebody yelling at you rather than talking in a normal tone, OR READING A TEXT IN CAPS RATHER THAN SCRIPT - try it for a full page).
There are records that sound good despite compression, as dynamics are just one aspect of sound quality. BUT, all compressed records that sound good would be a lot better with a proper dynamic range.