AD Chaos
MGTOW
- Aug 3, 2009
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From that pick seems like you need to wrap each string around it's corresponding tuning head way more that what you're doing. Especially the 3 bottom ones you mention, those don't seem to have even one whole turn around the machine heads.
As you wrap them around the tuning peg more times, the string locks better against the head; that should give you a much more stable intonation (especially in the absence of a locking nut).
Keep in mind you're trying to wrap metal against metal.
With practice you can also do a 'knot'* before wrapping the remainder of the string for even more stability, like this:
*(or at least a twist inside the first wrap in the same direction, if the string is really thick)
Here's Seymour Duncan explaining how to do some more wraps (around 7m20s):
As you wrap them around the tuning peg more times, the string locks better against the head; that should give you a much more stable intonation (especially in the absence of a locking nut).
Keep in mind you're trying to wrap metal against metal.
With practice you can also do a 'knot'* before wrapping the remainder of the string for even more stability, like this:
*(or at least a twist inside the first wrap in the same direction, if the string is really thick)
Here's Seymour Duncan explaining how to do some more wraps (around 7m20s):
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