Interesting convo... as teeth-gritting as these things get, there's always something to get out of them.
Frankly, there's a lot of good points here on both sides of the fence... and I can say I actually "get" a lot of aspects of pop music. I'm certainly one of those who puts songwriting (which pop
hardly has a monopoly on, by the fucking way
) over raw ability... and I probably have a more of a love affair with production quality (which pop most definitely has) and the oft overlooked choice in tones/sounds (which pop most definitely lacks) over chops too, in many cases.
That said, I don't get what makes Gaga's music (image-hype notwithstanding) so special. You can tell she has adequate musical ability, but others like Aguilera are quite obviously better, and BT even said the oft scorned Britney positively nailed it in the studio tot he point where her doubles had to be retracked because they were too good to get the effect out of them. I guess it'd be easier if I was down with this particular breed of pop music. I guess I'll stay out of it for once, and listen to one of her songs again for whatever nuance(s) that it is that I'm overlooking.
It's interesting though. Pop music has become a very painfully narrow experience. I don't think its so much about being musically sophisticated or not... and/or a case of being uber poignant vs. sophomoric or whatever, but
the range of experiences doled out by the genre depresses me... and I believe it to be markedly American phenomenon, which, unfortunately, we're the benchmark for a lot of the world. I was having a conversation with the singer/guitarist/songwriter for a really good local band here in Portland, strangeletter (who aren't metal at all, more of a lightly proggy, post-new-wave thing... very synth and vocal driven) and he said something that I have observed pretty hard in the last decade,
"Nobody wants to hear dark music in America..." Not meaning goth or metal, but nothing dark... at all. Phil Collins' 'In The Air Tonight' wouldn't fly in 2010, you know? Pop America still loves tragic movies of betrayal, TV episodes full of conspiracy, horror flicks full of vile shit, or introspective mind-fucks like Inception... but other than crybaby "my girl/boy left me" songs, pop has diluted down to feel good shit and nothing else.
Music is treated like it's doing something wrong if it's trying to play any other role anymore... which I find fuckall weird. We live in uncertain and depressed times, and while escape is good, historically, the music mirroring the experience has been (empathetically) dour during depression and whatnot.