- Dec 15, 2011
- 109
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So uh, I want to put new strings on my fretless and use it to record metal. It has this incredibly middy sound that eats the whole mix which is great, I can really use subtractive EQ to slice away anything I don't want/like or isn't usefull, while not boosting anything, there it's a killer.
However, that's what a set of two year old stock rounds sound here. The bass has incredible punch that works really well with mutes, and when using a pick, it has this very retro bass guitar attack.
It works, and it sounds like some fretless metal records, minus the clack up there. But I have come to think that it's the lack of this 'clack' that makes it sound somewhat lifeless in the mix, while it sounds nice on its own.
So, if anybody has had an experience of tracking fretless for metal, what strings are advised and is it possible to find a set of strings (flatwound or otherwise) that'd clack for a long after strings could be considered dead (by roundwound means, obviously, since one could argue there's no such thing as a 'dead flat set' )?
However, that's what a set of two year old stock rounds sound here. The bass has incredible punch that works really well with mutes, and when using a pick, it has this very retro bass guitar attack.
It works, and it sounds like some fretless metal records, minus the clack up there. But I have come to think that it's the lack of this 'clack' that makes it sound somewhat lifeless in the mix, while it sounds nice on its own.
So, if anybody has had an experience of tracking fretless for metal, what strings are advised and is it possible to find a set of strings (flatwound or otherwise) that'd clack for a long after strings could be considered dead (by roundwound means, obviously, since one could argue there's no such thing as a 'dead flat set' )?