http://www.guitarcraft.com/introduction.htm
Some of the stuff he says, I like a lot, such as:
But then they go and tell you that you should use an Ovation and I'm like, "OK, get the fuck out of here."
Some of the stuff he says, I like a lot, such as:
The second part of our first concern is openness. It is rare for the channel between music and musician to be open. In practice, there are varying degrees of blockage. To make room for music to enter we clear out unnecessary rubbish; like our hot licks, bright ideas and impressive opinions on serialism, eclectic erudition and amusing anecdotes of the famous we have known and met, bright clusters of alarming chords and bursts of extended and exotic modes. This involves no violence towards ourself or our rubbish: we simply let it go. Then, we discover what is our own. What remains behind is ours.
But then they go and tell you that you should use an Ovation and I'm like, "OK, get the fuck out of here."