If ProgPower had unlimited tickets...

Cheiron

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Jan 11, 2006
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How many people do you think would have come this year and to PP VII.

(I recognize that if the event had 3000+ seats that Glenn might do some paid advertising since it would pay off, but lets assume that there's no change in advertising. I also recognize with more seats he could have more expensive bands [though not necessarily better]. So lets assume no changes there too).
 
Once the initial wave of ticket sales is over is seems Glenn is left with a few dozen tickets or so most years. It then takes a few days/weeks to get the remaining tickets sold, and reach sellout status. With several months left before the event I'd think 250-300 or so additional ticket sales sounds about right.

Britt
 
I think 7 didnt sell out, was like 3 tickets away if im not mistaken. Are you thinking of 3? with like edguy, nightwish and like blind guardian?
 
I think 7 didnt sell out, was like 3 tickets away if im not mistaken. Are you thinking of 3? with like edguy, nightwish and like blind guardian?

Blind Guardian and Edguy was PPIII

Nightwish was PPIV
 
I will ask the question that some of you may have already been pondering:
Will ProgPower USA ever make the move over to the Tabernacle, especially in light of the recent renovations over there? Just curious.
 
I know a particular couple that would be going.

At NEMHF this year, I was wearing my shirt from VIII and a couple came up to me asking about the fest. They said they wanted to go this year, but didn't even try buying tickets because they were told it was the fastest selling event ever and sold out in under a minute.
 
I will ask the question that some of you may have already been pondering:
Will ProgPower USA ever make the move over to the Tabernacle, especially in light of the recent renovations over there? Just curious.
One thing that most people outside of bands don't consider is the back stage setup. I've been quite a few venues, but I'm still blown away with the back stage area at Center Stage. It would be impossible to put on a such a smooth sailing show if there wasn't an area like that to stage equipment and be ready for quick changeovers. Especially considering the quality of acts that PP attracts. You just can't have people tripping over each other during the setup process. Plus, it has multiple dressing rooms that are more conducive to treating the bands well and them have a good experience. Then you factor in the audio capabilities - both live and recording, enough space in the hall to get around (and we know how crowed it gets), a separate room for the vendors, etc...

Other important factors to attendees, bands and others involved like proximity to 85/75, a MARTA station that's only 30 minutes from a major airport, and many surrounding hotels are also hard to beat. Plus the layout in the concert hall is pretty cool with a decent sized floor and a seating arrangement that offers a pretty good view and sound from most locations.

It really is hard to beat Center Stage for a venue that's of its relatively small capacity of 1,200 (as opposed to a medium-sized theater (4,000), large arena (12,000), or stadium (40,000+) where features like I named are more commonplace). It really is quite amazing for its size! And for the record, the infamous Jaxx has NONE of this! I can't speak for the Tabernacle (2,600), it may be better than many places, but I kinda doubt that it would meet Glenn's needs for all of the behind the scenes stuff.

Plus, it is just right for the event in its current format -- which I happen to like! :rock: It might be a bit selfish on my part, but I actually like that it isn't some impersonal event like OzzFest or Gigantour.
 
I think PPIII-PPVI would have sold an extra 300-500 tickets had they been available. Since then, what is sold is about the max. Maybe 100 extra tickets for VIII and 50 for this one.
 
One thing that most people outside of bands don't consider is the back stage setup. I've been quite a few venues, but I'm still blown away with the back stage area at Center Stage. It would be impossible to put on a such a smooth sailing show if there wasn't an area like that to stage equipment and be ready for quick changeovers. Especially considering the quality of acts that PP attracts. You just can't have people tripping over each other during the setup process. Plus, it has multiple dressing rooms that are more conducive to treating the bands well and them have a good experience. Then you factor in the audio capabilities - both live and recording, enough space in the hall to get around (and we know how crowed it gets), a separate room for the vendors, etc...

Other important factors to attendees, bands and others involved like proximity to 85/75, a MARTA station that's only 30 minutes from a major airport, and many surrounding hotels are also hard to beat. Plus the layout in the concert hall is pretty cool with a decent sized floor and a seating arrangement that offers a pretty good view and sound from most locations.

It really is hard to beat Center Stage for a venue that's of its relatively small capacity of 1,200 (as opposed to a medium-sized theater (4,000), large arena (12,000), or stadium (40,000+) where features like I named are more commonplace). It really is quite amazing for its size! And for the record, the infamous Jaxx has NONE of this! I can't speak for the Tabernacle (2,600), it may be better than many places, but I kinda doubt that it would meet Glenn's needs for all of the behind the scenes stuff.

Plus, it is just right for the event in its current format -- which I happen to like! :rock: It might be a bit selfish on my part, but I actually like that it isn't some impersonal event like OzzFest or Gigantour.

Pretty decent assessment Rick...
 
I agree Rick. Center stage has excellent back stage facilities. Including the VIP bar...

Its an awesome venue. And I see no reason to expand it, unless Glenn found a facility that could deliver the same quality for fans and bands, and Glenn wanted to make more money off it. But I also fear that if it went that route... the quality of bands might go down (meaning less of the smaller fan-base yet incredibly talented).