It's how you play it!!!

It’s funny that the more local the band, the more they’ll say not to fuck with their music. But if they come from Japan, like one band I did, Cocobat, they ask for permission to go to the toilet. The bass player was the band leader. He came into the control room and asked permission for the drummer to go to the toilet. “Of course he can go to the toilet. No problem.” And the bass player runs out and (makes stereotypical Asian noises), and the drummer ran out of the studio with both hands on his dick. Later, after we tracked one song, I asked them how they liked it. And they said, “no, you boss; you decide.” And I said, “no, you are boss. We are boss. We’re all bosses together. Do you like this take, or not?” “No. You decide.” Then they asked for permissions to speak. “Of course, speak.” “We can do better.” “Ok, then do it again.” “Thank you. Thank you. Thank you.”





ROFL
 
Also you keep on how amazing he is. He sounds like an amazing musician who is trying to play guitar using theorectical knowledge rather then actually learning how to play the guitar ( electric ). Obviously I could be wrong, but thats what it sounds to me.

The guy can play. Man, can he ever play! However, after giving this much thought, I've come to this conclusion. Because he doesn't practice thru an amp (he only plays thru one live, or in the studio) he's developed an insanely powerful pick attack without really realizing. Powerchords aren't too bad, the palm muting leaves something to be desired... especially the end of muted power chords. However, it really shows on the single-note stuff. Very buzzy & hard on the ears. Unfortunately, the album is full of single note lines.

Like I said before, he seems to be approaching distorted guitar from a classical acoustic perspective. Oh well, we'll all see how this turns out eventually.

-0z-
 
They recorded to a click (that being said, Keith track is a bit out, and completely at the end ;)), and had MUCH trouble with it, haha. Let me find Nordström interview...

http://www.maelstrom.nu/ezine/interview_iss42_202.php

I believe the tempo changes, the that's why i faded it out :)
Also the conductor is the metronome for the entire orchestra, he listens to a metronome(if they use one) and then uses his wand thing to count time.


The orchestra stuff on dimmu's cd is real, but there are some synth strings layered in with it.
 
the fredrik interview is awesome! the last answer is funny:

"Maelstrom: Thanks so much for your time, Fredrik.

Fredrik Nordström: It was a pleasure to speak with you. And I am honored that EQ wanted to interview me. I can’t wait to read what I say. Especially when I do interviews for Dream Evil, I’ll spend 12-20 hours per week. It begins to get boring answering the same questions, like how we found Gus G., our guitarist. So I started to make up lies. My band members have a lot of fun reading my interviews. I say things like I was on vacation in Greece (which is actually true), and I was on a beach, and there was this young boy with an electric guitar, and a small amp in his pants. He would go around with gold chains around his neck and play Yngwie Malmsteen solos for girls and try to get laid. So I brought him to Sweden. And people believe that! “Is this true?!” “Yeah, yeah.” “And what’s his real name?” “Constantinos Guitaropolos.” And they’re like, “wow!”"

Constantinos Guitaropolos , LMAO
 
Nordstrom is my new hero. Thanks so much for putting that interview up. I had absolutely no idea that the guy was that cool. I love the brutal honesty, especially in regards to In Flames. I think that's the mark of a man who's been producing for a very long time and has no need to bullshit. Well, aside from the practical jokes.
 
I am not trying to start a argument or anything, but I just need speak my mind on the fact I don't believe "tuning lower" has as much of an effect on the perceived heaviness of something as most people think. I can't count the many arguments I have had with people about there ideas of "Dude, lets just tune down more, it will sound way heavier". The heaviness is not in the tuning, it is in the writing and attitude of the songs. There are so many albums that have been recorded at standard tuning that are heavy as fuck. DB's albums serve as a perfect example. When we are listening to a record do we ever say "damn this tuning is heavy as hell"? No, we say "Damn this record is heavy as hell". A lot of people equate the initial shock of playing there songs in a lower tuning to heaviness, but in the end if the song can't carry itself it still is not going to sound heavy.

I say "damn this tuning is heavy as hell" quite frequently when listening to Meshuggah. Hehe.
 
what¿

im the only one that hates dimmu borgir sound? i cannot dig it man....

well im from the new school death/black/melodic/etc metal so... so

bring up some mp3 to hear :)
 
I don't like it either. Honestly, if I listed the 'classic' tones that I didn't like, it would probably include at least a hand's count of the favorite tones of 90% of the 'old-timers' (compared to me, 30s and up) and likely no less than one favorite of every regular to this forum.

I like most of the production on PME but the guitars just sound so little I can't help but giggle a little at these epic buildups that climax in the guitar tone equivalent of Rocky training for a whole film to fight Ralph Macchio.

While Ralph is asleep.

And Rocky is on a meth high.

Jeff