grywolf627
Member
great on vocals aaron.
have used it on rhythm intense parts that need to be obscenly tight with errrrr mixed results
Experienced the same. Let us know how it works out for you Aaron.
great on vocals aaron.
have used it on rhythm intense parts that need to be obscenly tight with errrrr mixed results
great on vocals aaron.
have used it on rhythm intense parts that need to be obscenly tight with errrrr mixed results
as written in 1000 other threads: 4 (or maybe 5) takes: one 100% Left one 100% R one 80% L one 80% L.
Chris T did Black Sabbeth,
he invented the vortex by acident and has spend most of his life working out how to get the best out of the technique
Are you talking about DI tracks specifically? I doubt it would really be effective for lining up a whole song of DI tracks, but I could imagine it being helpful for little sections or stop/start riffs. Maybe? Haha.
Guitar A will be, 1 take 100% left and 1 take 80% left
Guitar B will be, 1 take 100% right and 1 take 80% right
6 rythm guitars? For Christ's scrotal bag!
Tad Donley would never track more than 2 rythm guitars.
6 rythm guitars? For Christ's scrotal bag!
Call me old minded bastard, but I always record 2 tracks, panned -91/91.
I usually record 6 tracks of lead guitars and solos in different scales but never rythm guitars. I will have to give a try.
Tad Donley would never track more than 2 rythm guitars.
And thats who i trust!
6 rythm guitars? For Christ's scrotal bag!
Call me old minded bastard, but I always record 2 tracks, panned -91/91.
I usually record 6 tracks of lead guitars and solos in different scales but never rythm guitars. I will have to give a try.
Tad Donley would never track more than 2 rythm guitars.