On the dual rectifier, we were never able to get a nice tone out of it, at "loud" bedroom levels. So we use a Rivera RockCrusher at -20dB setting, so we crank the master on the channels. At those high compression levels from the Rivera, we turn on the "Warm" and "Edge" switches. Tone is too dark otherwise, coming from the high compression.
That being said, when recording with a mic, we drop the RockCrusher to -8dB instead of -20dB, so it doesn't compress as much. It's a lot louder of course, but we want that for recording. Since it's not working as much, we turn off the edge and warm switches.
However, we can't quite get enough presence/high mids. To go around, it's either we push the presence on the Dual Rec to 12o'clock, which seems like a lot. And we also need to push the tone knob on the OD to maximum.
Or maybe use the Edge still, even though it is an artifice.
Was wondering what other people use, especially with a Dual Rectifier? We can't really bypass the Rock Crusher, because with the settings on the amp (I think the master is set to 10 to 11 o'clock), it's just ultra loud. Somebody will complaint that is for sure!
That being said, when recording with a mic, we drop the RockCrusher to -8dB instead of -20dB, so it doesn't compress as much. It's a lot louder of course, but we want that for recording. Since it's not working as much, we turn off the edge and warm switches.
However, we can't quite get enough presence/high mids. To go around, it's either we push the presence on the Dual Rec to 12o'clock, which seems like a lot. And we also need to push the tone knob on the OD to maximum.
Or maybe use the Edge still, even though it is an artifice.
Was wondering what other people use, especially with a Dual Rectifier? We can't really bypass the Rock Crusher, because with the settings on the amp (I think the master is set to 10 to 11 o'clock), it's just ultra loud. Somebody will complaint that is for sure!