Try it also with a Sm57! Record it to 2 tracks: one with the 57 and other directly from the preamp that later you can reamp it.
Or and with also one of these that Razorjack mentioned.
I get good results recording bass to 3 tracks sucha as: 57 pointing directly to the cone of the speaker (for a nice attack and growl) - D112 slightly off the center - (for the bass freqs.) - preamp out (for reamping and add some distortion later in the mix)
Tip - watch out for the "out of phase " from both mics and also with the preamp out and even some delay from this one concerning to the mics captured sound.
Have a try!
Try it also with a Sm57! Record it to 2 tracks: one with the 57 and other directly from the preamp that later you can reamp it.
Or and with also one of these that Razorjack mentioned.
I get good results recording bass to 3 tracks sucha as: 57 pointing directly to the cone of the speaker (for a nice attack and growl) - D112 slightly off the center - (for the bass freqs.) - preamp out (for reamping and add some distortion later in the mix)
Tip - watch out for the "out of phase " from both mics and also with the preamp out and even some delay from this one concerning to the mics captured sound.
Have a try!