well, i consider monochromatic stains to be singlehandedly better than the whole haven album.
it's direct and vibrant. the guitars sound shrill and distorted in the right places, while in
other right places the melody is almost unbeatable: not standard dt work at all, but a few steps further on the path of complexity and elegance of structure. the solos manage to accomplish the difficult task of sounding at the same time very metal (aggressive, harsh, proficient in the non-dream-theater sense of the word [uh, sorry fathervic
![Stick Out Tongue :p :p](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
]) and absolutely consistent with the element of freshness the song introduces. also, there's the one brilliant dt watermark of guitar riffs starting from point a and going all the way to point b, c, and d just to amaze you by being back at point a faster than you can say "monochromatic".
the vocals are not only beautifully intense as always, but also more varied than in the past and more "in tune" the verses that are actually sung: the echo effects over the
what will give in first, the body or the lash? and the following line are exactly what the words and the music would suggest using, and the same goes for the whispered growls on lines such as
like fingerprints on your heart. there's no single note sung just for the sake of adding something or simply carelessly.
the overall feeling is of a new classic, with its immediate and yet intricated structure, its almost brutal "what-did-you-expect" approach to verses and bridges, its hint of keyboards escorting the song in the background, the ever-improving dt skills of sounding as each instrument stands out and is clearly audible.
i'll post about the lyrics tomorrow, as soon as i'd feel slightly less inept.
rahvin.