Multiband compression on Bass gtr

codeman

Member
Jul 1, 2010
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London
Do you guys use C4 on the bass to avoid frequency overlap with heavy gtrs? Maybe at around 100hz?

Or do you let bass and gtr fight each other?
 
The emphasis on my question is on the fighting of the low end frequencies of the rhythm gtrs and the bass gtr. Do you do anything about it?
 
The emphasis on my question is on the fighting of the low end frequencies of the rhythm gtrs and the bass gtr. Do you do anything about it?

that's what a resonant shelf is for... you can always highpass the gtrs as well, like anssi said.
 
The emphasis on my question is on the fighting of the low end frequencies of the rhythm gtrs and the bass gtr. Do you do anything about it?

I can't imagine why you would want elements in mix fight/competing for space :confused: It would just sound like a wall of mush, which is okay if it's some avant garde noise experiment, but not so much for a tight metal production or radio ready rock.
Listen to the best productions out there, and you'll hear there is insane amounts of separation between elements, but it's just done in a manner that makes it sound like it's simultaneously glued together.
And then go listen to Veil of Maya's "All Things Set Aside" album for hearing a really mushy sounding album where elements are just fighting/competing each other, at the extreme other end of the production spectrum.
I can guarantee the Veil of Maya sound is not the one you'd want.
 
I see no reason why not to use multiband on bass, some notes resonate a bit more with a particular instrument, no reason to cut it with a eq couse then you take that freq of other notes as well that might need it.

YMMV.
 
I sometimes boost a lot around 1.5k then compress in that region. Helps the bass cut through the guitars whilst sitting behind the vocals.