Skinny Viking
¯\(°_o)/¯ How do Lydian?
hell even i often cant hear any difference if an album jump 1tone up/down...
Just my 0.02...
as an engineer, I wouldn't go around admitting that :Spin:
hell even i often cant hear any difference if an album jump 1tone up/down...
Just my 0.02...
as an engineer, I wouldn't go around admitting that :Spin:
Haha... well i can hear it, but i cant say i always can hear what the band tunes in when i record if its drop d or drop c.. well well :Spin:
+1, sometimes I can't hear it first like what tuning a band is playing in, like with Alice In Chains, all the Dirt songs were played in drop D and thats what i thought the new album was in, until i saw the tabs and saw it was in drop D and a half step...
I think it matters alot. You may not consciously think about it, but 10 songs in a row in the same key will get repetetive real fast. Vary the tunings or the key of the songs a bit and suddenly it's a lot more interesting to the unconscious part of the brain, and the even though the conscious part of your brain may not register the change, you will perceive the songs as more varied and unique.
This is psycho acoustics at its most basic, guys.
Present a constant signal to the brain and the perception of volume/exitement will diminish pretty quickly, but introduce some sort of modulation or other variable to the signal and suddenly it demands a much greater attention and effort from the brain, thus making it more interesting.
I'm not saying that this will make up for shoddy songwriting or poor performance, but use it properly and it might elevate a good album into greatness.
10 song after each other in the same key gets boring really quick,
Jackal, probably you speack about another thing, one thing is the tunning, and one thing is the key of the song.
For example, I'm tunning in B standard, but this not means that every song have the same key.....you could have different keys at the same tunning....
Yes, but lets be honest. Most metalbands mainly play on the open e string
Man, it really doesn't matter what tuning you use for the regular listener who can't hear the difference between regular and dropped anyway. He needs to enjoy the song and thats all. The tunings are important only to the artist and some 10-11 technical freaks like I've seen here on this forum. The song it's important and if a tuning serves it right then you have the right recipe. People don't listen to the songs anyway nowadays. It's all technical aspects. Get a fully triggered metal band play one of their songs on a plain acoustic guitar as in an unplpugged session. Fail. My two cents.
So Egan, use whatever you want just make good songs like we know you use to.
LE. I just seen Tachy shares the same feelings. Cheers.
I am asking about both. Does one song sound far heavier than another? Is there a big discrepancy in tone?Are you asking about consistency as far as song flow, or tonal consistency
I am asking about both. Does one song sound far heavier than another? Is there a big discrepancy in tone?
I'd really rather talk about existing big name records (like the devildriver) then discuss the hypothetical of how one might do it. If we must talk about that then let's assume the same guitar with appropriate string gauge and setup adjustments through the same rig. Let's also assume that we can hear the difference (which is part of the reason to do it) and let's also not talk about this from a lowest common denominator perspective ("most people....blah, blah").
I agree with the first paragraph for sure. That's actually why I'm interested in finished albums-- theory is only theory but the realities are far more important. I'll check "all of the above" regarding my curiosity. I'm actually surprised that more guys haven't run into this producing records. It seems like more bands might drop tune on one or two songs.the only thing I'd say about the same guitar/same rig ideal is that the resonant frequencies of the cab and/or guitar may elicit a far different response and tone than what you may expect from the tuning changing. As far as the heaviness aspect, I'd think that would come from the resulting music created using the tuning, not necessarily the tuning itself. IMO if you took a riff written in dropped D and just just changed it to dropped C or B, the difference would just be the lower tuning. The feel of the riff or song could change based on how the differing resonances changed the tone, though.
I know this still isn't what you want to talk about, so I'll stop....Is this for your band and concerns you have, another band you are recording, or general curiousness?
The only reason I wouldn't record in loads of different tunings is because of the trouble it could cause when you play songs live, like having to tune for each song would just be a pain in the ass haha