ThePhobiac
be at ease
That actually gets to why I like TGD -- if I heard this song 15-20 years ago when Reroute was new I'd be like "yeah this sounds like In Flames, let me add this to my MP3 player."
If you enjoy it, all the more power to you. I understand that to a less biased party who stumbles upon this forum most of the posts here must come off as deranged because it makes no sense to expose yourself to music you know you will dislike just so that you could go on and rant about how you dislike it - and that's how most people here are. If you enjoy what they are putting out, I don't think anyone here will demean you.
This band meant the world to me when I was a teenager, so it's almost incomprehensible how irrelevant they became personally, to the point where I don't even bother listening to the albums fully when they come out anymore. I still hang around because I hope that they will eventually come up with another random lightning in a bottle like Come Clarity was. I still listen to the new songs attentively and I genuinely want to like it... but man are Anders and Bjorn making it unnecessarily difficult lately.
Anders was never really a poet but I think most would agree that TJR lyrics are pretty interesting at least. How do you write something like that when you are 20 years old and then write stuff like this when you are 50? How many songs do you have left in the tank with the exact line "this is the end"? Can you really not try a bit harder to put out something slightly more creative and unique?
Bjorn is less of a problem because there is nothing exactly wrong with him, I can understand his Kirk Hammettisms because it's very common among guitar players when they get older, but he desperately needs another guitarist to bounce ideas off. That another musician isn't going to be Chris Broderick because as virtuosic as he is I don't think he stringed three original notes in his life, and it sure as hell isn't Howard "autotune" Benson.
Disagree. You’re assuming Anders and Bjorn would not have learned about it until recording. But they started this a long time ago and the Swedish scene is not that big. All these guys are VERY well connected and no doubt share friends. I’m positive at least they heard rumors of them forming.
Release dates in general seem really off lately. Arch Enemy announced their new album in January with a release date of August. So did the Halo Effect. Announcements are being made way earlier than normal. Especially when the announcements come with artwork, album title, pictures of finished products, etc. Obviously they're already done but they're pushing out the release dates 7-8 months. Just tell us in May or June that it's coming in August. Pretty soon we're going to get album announcements with artwork, titles, merch, etc. in January with a release of March the FOLLOWING YEAR. I just think it's weird. And then bands will release like 4 or 5 songs from the album in advance from an album that has 10 songs on it so when I finally get the album, I feel like I'm listening to an EP because I've already heard half of it and because the songs were released so long ago, I'm already burnt out on them.
It could be due to the vinyl shortage, I'm not sure. I just hope it doesn't become a regular thing.
Yeah, I think that's what I was trying to get to; the surprise is just not there. I think releasing one song as a teaser is fine. Maybe two, but putting out 4, 5, 6 songs before release just feels like I'm hearing the album in a way that it wasn't designed to be in. I get that it's for promotional purposes and that I don't HAVE to listen to it, but when it's a band you really like, and the song is out there for months before release, it's pretty hard not to. I guess it's just the way things are done now.
With THE, it really does sound like each song will stand on it's own, which is somewhat amusing since the detractors claim that they're doing nothing original, capitalizing on an old sound, etc. Yet, it would be a safe bet that Days of the Lost will be more varied (using an "old sound") than the new In Flames record will be.
I don't think there's a huge amount of IF in The Halo Effect, personally. You hear it every so often, but so far I haven't heard anything that sounds like it could have come off an old IF album from any period in their discography. I just don't get that feeling from THE at all.
There's a stronger sense of DT there, and whilst some of that will undoubtedly come from the vocals, the guitar tone plays a part as well. I'm often taken back to Character/Fiction when listening to THE, but again it's only in certain parts of songs, not the entire thing.
Overall I wouldn't say THE sound like DT or IF. They have elements of both, but the sound is actually more unique and original than people are giving it credit for. Niclas has done a fucking amazing job crafting this album (happy to say that even before the release, based on what we've heard from the live tracks). This is, for me, the best thing he's ever done.
It's a bygone conclusion at this point that it'll never happen, but it's a pipe dream to hear Svensson on vocals again. If he really wanted to do vocal work again, I'm sure he would've. A man can still dream though, I guess. It'd be a better time now than ever, especially with Stanne in the band as well.
Also this part on the song reminds me Jesper
Bend the truth to fit your opinion
Another excuse, another lie
It's not what you say, it's what you do
I thought you were joking about Stand Ablaze but holy shit they actually did.In Flames played Stand Ablaze at Dalhalla Brinner. There is a clip of it on their Instagram story. I hope someone filmed it
Also they ended with MSS and the clip of that they shared was pretty spectacular with the pyro. Beautiful location for a concert.
In Flames played Stand Ablaze at Dalhalla Brinner.