i'm having hard amp-GAS right now. after having done the last few projects with the 5150 and using it as my main live amp for a few years now, it's time for a change.
i'd like to get something that complements the 5150 well, basically a tonal opposite would be really cool. the 5150 has a very distinct midrange grind that makes it awesome in a live situation, but just does not fit every project, so i need to get away from that.
i'd get it for recording mostly, but if it's a really cool amp i guess i'd also use it live hehe. i'm mostly doing the heavier styles of metal, anything (melodic) death, grindcore, slam death, so i definitely need something HEAVY.
decent clean channel and a solo boost or 2 distortion channels are a must for live applications, but if it's studio only an awesome distortion channel would be perfectly fine.
i'm not a big engl fan btw, sometimes they're cool in a live situation, but from my experience they don't record very well (mainly power/fireball). i used to own a blackmore and wasn't a big fan back then, but if i remember the sound correctly it might actually fit the bill....maybe too polite for the stuff i'm doing now.
i'd rule out the 5150 III too, not enough difference to the 5150.
i have an original mid-eighties jcm800 2210 that i'd trade, plus some cash on top of it, so budget is around 1k used.
any recommendations?
i'd like to get something that complements the 5150 well, basically a tonal opposite would be really cool. the 5150 has a very distinct midrange grind that makes it awesome in a live situation, but just does not fit every project, so i need to get away from that.
i'd get it for recording mostly, but if it's a really cool amp i guess i'd also use it live hehe. i'm mostly doing the heavier styles of metal, anything (melodic) death, grindcore, slam death, so i definitely need something HEAVY.
decent clean channel and a solo boost or 2 distortion channels are a must for live applications, but if it's studio only an awesome distortion channel would be perfectly fine.
i'm not a big engl fan btw, sometimes they're cool in a live situation, but from my experience they don't record very well (mainly power/fireball). i used to own a blackmore and wasn't a big fan back then, but if i remember the sound correctly it might actually fit the bill....maybe too polite for the stuff i'm doing now.
i'd rule out the 5150 III too, not enough difference to the 5150.
i have an original mid-eighties jcm800 2210 that i'd trade, plus some cash on top of it, so budget is around 1k used.
any recommendations?