new song from my band's upcoming CD...

Thanks. Must be my headphones. I just made a reference CD and listened in my car and it was OK. I'm at work, so no monitors. I finished the mixes last night, but didn't feel like taking the time to render them...I brought my laptop to work to render today during free time.

guitars are 2 tracks 6505+, 2 tracks Madison Divinity. Cab is a Madison 4x12 loaded with Celestion V30's. I did a modified Fredman technique. Same miking placements, only I put the mics on 2 different speakers. And, the off axis mic is dropped about 7 dB's lower than the on axis. Just barely there, but enough to notice it when it's gone. I boosted 400 Hz by 3dB and boosted 3-4kHz by about 2dB's, C4 compressing 100-250Hz.

Drums are 50/50 blend of mics and samples. I used a cheapo set of CAD drum mics on the bass drum and rack toms. Floor tom was miked with a Senny e609. Snare was miked with a single 57 and 50/50 blended with Andy's snare sample. Toms are a 50/50 blend of the natural toms and the Chimaira toms posted here. Funny enough our drummers toms sounded almost identical in pitch, and pretty close in tonality. I did heavily EQ the toms, though. The kick is a blend between the natural kick, Andy's sample and "brain kick 1" found somewhere on this forum all blended at equal volumes (33/33/33 you could say).
 
Thanks. Must be my headphones. I just made a reference CD and listened in my car and it was OK. I'm at work, so no monitors. I finished the mixes last night, but didn't feel like taking the time to render them...I brought my laptop to work to render today during free time.

guitars are 2 tracks 6505+, 2 tracks Madison Divinity. Cab is a Madison 4x12 loaded with Celestion V30's. I did a modified Fredman technique. Same miking placements, only I put the mics on 2 different speakers. And, the off axis mic is dropped about 7 dB's lower than the on axis. Just barely there, but enough to notice it when it's gone. I boosted 400 Hz by 3dB and boosted 3-4kHz by about 2dB's, C4 compressing 100-250Hz.

Drums are 50/50 blend of mics and samples. I used a cheapo set of CAD drum mics on the bass drum and rack toms. Floor tom was miked with a Senny e609. Snare was miked with a single 57. The kick is a blend between the natural kick, Andy's sample and "brain kick 1" found somewhere on this forum all blended at equal volumes (33/33/33 you could say).

Seriously, this is one of the best mixes I've heard in a while. :rock:

I think the vox are at the at perfect levels. :rock:
 
^ I'm with you. I have a hard time finding that sweet spot between being powerful enough but sitting well in the mix. I feel like if I back it down or EQ some of the top end out of the kick, I lose something. For now I'm just going to leave it, haha! Once I get a proper mastering chain set up and master all of the songs, maybe it will sit a little better. I have very little master EQ or anything on this, basically a C4 preset and L2 just to get some volume.
 
That's a nice sounding mix! I also think you made the right choice when you left the vocals upfront. It keeps the song interesting and makes the whole mix sound more dynamic. As a whole, I think it has a nice unique sound & feel to it and that's a very good thing IMO. Very nice!
 
I boosted 400 Hz by 3dB and boosted 3-4kHz by about 2dB's, C4 compressing 100-250Hz.

The kick is a blend between the natural kick, Andy's sample and "brain kick 1" found somewhere on this forum all blended at equal volumes (33/33/33 you could say).

Couple questions.....

Did you eq both mics on the guitar cab this way?

And how exactly did you blend the samples each 33%?

I'm lost cause with drumagog if you did 33% mix there would be 67% of the natural snare coming through. I'm sure its something simple I'm over looking but I'm lost on how to blend 3 samples the same amount like that.

Oh yea the mix sounds freakin great dude!!!
 
I grouped all 8 of the rhythm tracks (2mics x 4 tracks) and applied the EQ to that one group track.

I don't know how to explain the bass drum very well. I sampled our drummers bass drum and I blended that equally with Andy's bass drum sample and the brain kick1 sample. I then set aptrigga to "stack". I set the ratio to 100% samples (all 3 of them hitting at the same time). So, technically it's a 100% replaced kick, but 1 of the 3 samples hitting each time is the actual bass drum tone. I EQ"d it pretty heavily so it sounds reminiscent of Andy's sample, but a little less clicky. But, blended with Andy's and then the brain kick 1 sample, it's pretty big sounding. Using the stack mode allowed the bass drum tones to be LOUD and thick. I used no compression on the kick drum track.