Cynical Bastard
Member
If you don't think we have satire and intelligent conversation concerning Opeth, you obviously haven't been around that long.
For the most part, upon reading your proposed criticism that seems so harsh and definitive, I probably wouldn't waste my time arguing against things which are mostly a matter of opinion or basically just coming from someone with an apparently drastically different take on music, who could never really appreciate what Opeth brings to the table. Someone relating comments like that would seem to not like death metal style growling very much at all and also have a strong distaste for songs that show a dramatic contrast between soft and heavy parts. Someone with this taste would never have much of a favorable opinion of Opeth, unless they only listened to the softer material, although assuming from the badly played acoustic guitar comment, there's no winning them over there either. And being that I find many of Opeth's acoustic interludes to be quite captivating and beautiful, I would have a hard time seriously considering their incredibly negative comments on the acoustic parts to begin with.
As far as the talk of no technical leads goes, what this person would call "benign pentatonic harmonies that don't cut it," I would describe as emotional, smooth, sometimes blues-infused leads that offer a very nice complimentary touch in most cases and sometimes propel the songs to new heights, as in the case of the solos in "A Fair Judgement" and the perfectly fitting final solos in "Deliverance" and "Master's Apprentices." As for the general comment of "Give us something new Opeth," I would recommend the person listen to Damnation for a different kind of Opeth approach or even the track "By the Pain I see in Others" if they want to hear a regular Opeth track that doesn't follow much of anything resembling a formula.
For the most part, upon reading your proposed criticism that seems so harsh and definitive, I probably wouldn't waste my time arguing against things which are mostly a matter of opinion or basically just coming from someone with an apparently drastically different take on music, who could never really appreciate what Opeth brings to the table. Someone relating comments like that would seem to not like death metal style growling very much at all and also have a strong distaste for songs that show a dramatic contrast between soft and heavy parts. Someone with this taste would never have much of a favorable opinion of Opeth, unless they only listened to the softer material, although assuming from the badly played acoustic guitar comment, there's no winning them over there either. And being that I find many of Opeth's acoustic interludes to be quite captivating and beautiful, I would have a hard time seriously considering their incredibly negative comments on the acoustic parts to begin with.
As far as the talk of no technical leads goes, what this person would call "benign pentatonic harmonies that don't cut it," I would describe as emotional, smooth, sometimes blues-infused leads that offer a very nice complimentary touch in most cases and sometimes propel the songs to new heights, as in the case of the solos in "A Fair Judgement" and the perfectly fitting final solos in "Deliverance" and "Master's Apprentices." As for the general comment of "Give us something new Opeth," I would recommend the person listen to Damnation for a different kind of Opeth approach or even the track "By the Pain I see in Others" if they want to hear a regular Opeth track that doesn't follow much of anything resembling a formula.