that review above was spot on. here's the set list:
THE IDES OF MARCH (nice opener instead of BQOBD!)
WRATHCHILD
2 MINUTES TO MIDNIGHT
THE TROOPER
DIE WITH YOUR BOOTS ON
CAUGHT SOMEWHERE IN TIME
WASTED YEARS
REVELATIONS
TRANSYLVANIA (nice)
REMEMBER TOMORROW (nice again)
THE NUMBER OF THE BEAST
BE QUICK OR BE DEAD
PHANTOM OF THE OPERA (scorching hot)
THE PRISONER
KILLERS (frikkin' amazing)
INFINITE DREAMS (love this one)
WICKERMAN
HALLOWED BE THY NAME
FEAR OF THE DARK
RUN TO THE HILLS
a di'anno heavy set, i was very pleased. great set list. great audience. great show. as i don't think we're gonna hear the maidens perform "prodigal son" anytime soon, what about "brave new world"? i think that's the best song they've done since the 7th SON album
![Eek! :eek: :eek:](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
oh, think i'll add my short review of KILLERS i had published back in '98. it was one of my "Desert Island Discs."
Iron Maiden-Killers (1981) The second album from one of England’s New Wave of Heavy Metal bands is a concept album. The lead character is wrongfully accused of murder and is on the run from the French police. He then gets murdered by the real killer and floats up to Purgatory where his soul drifts around for an eternity. This was Paul Di’Anno’s last studio album with the band (he was replaced by Bruce Dickinson), but I’ve always liked his voice better. His range goes from a deep, hoarse growl to delicate, and can sustain the high notes. The musicianship on the album is also brilliant, the dual guitars of Adrian Smith and Dave Murray are razor-sharp. The tempos are so fast on some songs, it makes me remember when metal and punk were close relatives. Just be sure not to get whiplash from banging your head too hard!