Hey guys! Just finished mixing a punk/pop/skate band from Stockholm, Sweden, and I think it's one of my smoothest mixes to date.
**Final mix (I hope)**
https://dl.dropbox.com/u/10612702/Like She Said/Changing Colours_FINAL MASTER.mp3
**Another song from the EP**
https://dl.dropbox.com/u/10612702/Like She Said/The Story, The Misery_FINAL MASTER.mp3
(maybe it's implicit, but don't spread/share this around)
Not too sure about the mastering portion though, i'm still waiting for the day I can afford a Massive Passive and a 1/2" tape deck. I tried some new stuff with everything since I got new plugs, like using channel strip plugs (Waves SSL E-channel) and transformer saturation (Mellowmuse SATV) on every channel of importance for that mixing on a console-sound, and I think it turned out pretty legit. Atleast considering the fact that everything was recorded on a Focusrite Saffire Pro 40 with some crap condenser mic. I'm not 100% sure on everything that was used during the recording since I only mixed it, but shells are a mix of slate (kick, toms) and superior (snare, room), guitars are all le poo and bass is B.O.D. into SVX.
I'd love some opinions on this, even if it is something really tiny. Because you can always do better, right? I think so, and I'd like to step up my game with both clients and equipment. So flame away.
Cheerio!
*The mix I posted first*
http://dl.dropbox.com/u/10612702/Changing_Colors_Master2.mp3
**Final mix (I hope)**
https://dl.dropbox.com/u/10612702/Like She Said/Changing Colours_FINAL MASTER.mp3
**Another song from the EP**
https://dl.dropbox.com/u/10612702/Like She Said/The Story, The Misery_FINAL MASTER.mp3
(maybe it's implicit, but don't spread/share this around)
Not too sure about the mastering portion though, i'm still waiting for the day I can afford a Massive Passive and a 1/2" tape deck. I tried some new stuff with everything since I got new plugs, like using channel strip plugs (Waves SSL E-channel) and transformer saturation (Mellowmuse SATV) on every channel of importance for that mixing on a console-sound, and I think it turned out pretty legit. Atleast considering the fact that everything was recorded on a Focusrite Saffire Pro 40 with some crap condenser mic. I'm not 100% sure on everything that was used during the recording since I only mixed it, but shells are a mix of slate (kick, toms) and superior (snare, room), guitars are all le poo and bass is B.O.D. into SVX.
I'd love some opinions on this, even if it is something really tiny. Because you can always do better, right? I think so, and I'd like to step up my game with both clients and equipment. So flame away.
Cheerio!
*The mix I posted first*
http://dl.dropbox.com/u/10612702/Changing_Colors_Master2.mp3