mental paralysis
New Metal Member
- Apr 21, 2008
- 10
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Just heard the studio version of Heir Apparent from a finnish radio station. I think it's the bleakest Opeth song ever. It's a big ugly dirty monster !!!
The whole broadcast can be streamed from the internet but I don't know if it's oaky to give the direct link ?
I was thinking of the actual "aaah" singing, not the riff.
After listening to Porcelain Heart about 20x, I can say a few things. I like the general tone and feel of the song, and I can see what Mike was going for with the ambience. I like the drum fill, and the main heavy riff of the song is dissonant and definitely adds to the mood of the piece. However, the song is definitely too simple in terms of structure and songwriting. I always expect Opeth to be at the top of their game as far as interesting, varied riffs with many dynamic time changes, accoustic parts that hit me deep, death vocals that make me shudder, melodies that take me back to memories, and variation that takes 10+ listens to fully appreciate and understand. PH has none of these elements, and I feel like I'm listening to a different song than everyone here. Its odd to feel alienated on a death metal band's board by complaining how the death metal isn't even metal anymore. Don't chastise me im drunk
Just heard the studio version of Heir Apparent from a finnish radio station. I think it's the bleakest Opeth song ever. It's a big ugly dirty monster !!!
The whole broadcast can be streamed from the internet but I don't know if it's oaky to give the direct link ?
I'm getting really tired of everyone comparing to past records. If they were aiming for that sound, THEY WOULD JUST RE-RECORD THE RECORD.
Stop - STOP comparing to Deliverence, GR, BWP, or any of them.
It's a NEW Opeth record. Not the same old shit.
As for the musical arrangement:
They had months to record the record, I'm sure they did what they did on purpose. You have to assume the responsibilty of an audience member and instead of pciking it apart, observe the overall composition and try to consume it as the composer saw it.
END OF RANT
I think that was the whole point of that section, for Axe to show off a little bit.
Mikael Åkerfeldt;7175779 said:Well, I guess some of you simply don't understand the Axe fill here. It's meant to be chaotic, not a "nice" fill. The effect when it goes back into the verse to me is amazing, and that's what we're looking for. I guess everyone can't have the same vision as we do and there'll always be complaints.
Cheers people
Mike
Anyone else think that the "aaah" part sounds like system of a down a bit?
Don't hit me![]()
Man it's kind of disgusting how much ball-sucking is going on over these two songs. Porcelain Heart is shit. It's 8 minutes long and has 4 parts to it. 4 drawn out, slow, boring parts. Riffs are uninteresting, structure is forced, and the transition into the last chorus is laughable. The Lotus Eater is pretty good, but that part at 5:50 just makes me chuckle at how gay it is. I hope Watershed has some heavy moments because I would hate to see Opeth get lost in this "less is more" pattern. On that note, I'll leave before the fannies make a page or two about how dumb I am.