Rakoth Tiny Deaths
Elitist MOSH 905CD 7th July 2002
By Russell Garwood
Let me begin by saying "Tiny Deaths" wont appeal to everyone; even those who listen to most avant-garde metal may find issues with it. This said, many will appreciate its subtle nuances and quirky eclecticism, which create a relatively unique sound. Black metal sections of the past are still present, but in far smaller quantities, while the folk-inspired flute and melodies are still used in abundance. A new darkwave/electronic element is added to the mix, however, which can seem strange at times no doubt the desired effect, while the music is as grandiose as ever. Increased use of symphonics and brass adds to the bombast, while the guitars have less of a presence than in previous works, usually relying on single lines for melody rather than more complex arrangements for impact. The slightly fragile singing suits the mood well, and spoken passages juxtaposed by occasional growling maintain a dramatic atmosphere. The programmed drums tend to be on the simple but effective side, while demonstrating their techno leanings on "Trust This", and plodding but fitting bass lines complete a cold, synthetic rhythm section.
The song-writing relies on slow crescendos and gradual increments in the layers and complexity, which makes for relatively inaccessible, meandering compositions; nevertheless, if you persevere this becomes part of the musics beauty. Standout track "Tiny Deaths" demonstrates the competent mix of styles and build up that mark much of the album, in its most accessible form. In conclusion, this is a good release, that many who are looking for something different will appreciate, but proceed with caution..
Elitist MOSH 905CD 7th July 2002
By Russell Garwood
Let me begin by saying "Tiny Deaths" wont appeal to everyone; even those who listen to most avant-garde metal may find issues with it. This said, many will appreciate its subtle nuances and quirky eclecticism, which create a relatively unique sound. Black metal sections of the past are still present, but in far smaller quantities, while the folk-inspired flute and melodies are still used in abundance. A new darkwave/electronic element is added to the mix, however, which can seem strange at times no doubt the desired effect, while the music is as grandiose as ever. Increased use of symphonics and brass adds to the bombast, while the guitars have less of a presence than in previous works, usually relying on single lines for melody rather than more complex arrangements for impact. The slightly fragile singing suits the mood well, and spoken passages juxtaposed by occasional growling maintain a dramatic atmosphere. The programmed drums tend to be on the simple but effective side, while demonstrating their techno leanings on "Trust This", and plodding but fitting bass lines complete a cold, synthetic rhythm section.
The song-writing relies on slow crescendos and gradual increments in the layers and complexity, which makes for relatively inaccessible, meandering compositions; nevertheless, if you persevere this becomes part of the musics beauty. Standout track "Tiny Deaths" demonstrates the competent mix of styles and build up that mark much of the album, in its most accessible form. In conclusion, this is a good release, that many who are looking for something different will appreciate, but proceed with caution..
