AeonicSlumber
srs
- Aug 14, 2008
- 4,893
- 0
- 36
For the record, I happen to like Lil Wayne's latest album quite alot. He's definitely one of the few mainstream rappers that I enjoy.
AeonicSlumber has said so many things here I fundamentally disagree with here that it's hard to keep track of them and I'm not sure whether or not I even feel like getting involved in this argument, especially since, from what I've seen here, he definitely seems like the kind of person who will never admit he might be wrong in an argument.
If you actually think there exists a right or wrong to this then there's not much else to be said. This is simply a matter of opinion in the most absolute sense.
Perhaps I misinterpreted your post... perhaps you didn't express yourself clearly.You're making irrelevant judgments as a function of misinterpreting my post.
Actually, you did...I never said that there's no correlation between talent and technical proficiency.
That statement would seem to suggest a lack of correlation....talent means being able to write a good song and has nothing whatsoever to do with technical proficiency.
The fact that there are a few outliers in the genre is somewhat irrelevant to the original point. Tammy's comment was that there's not an abundance of great musicianship in the genre. I'd say that's a fairly accurate characterization, at least from what I have seen.My comment about The Roots started with the phrase "if anything." Meaning that if I were to agree that mastery of an instrument yields musical talent, there are indeed hip hop musicians that could outplay most metal musicians. Most metal bands could never play the stuff that The Roots guys have to play on Jimmy Fallon's show for example.
While Andy is one of my favorite producers, his blog is not gospel. He is one producer, with one perspective.If you neglected Andy Sneap's blog (you know, the guy who produced Nevermore, Megadeth, etc amongst others), that I cited (and subsequently linked), then you're only proving to me even more that you didn't properly read my posts.
The use of a sampled drum sound in the studio is not an issue for me. The fact that a producer and a band chooses to use a sampled drum sound, rather than going through the time and expense of micing the drums, is irrelevant. Where Metal differentiates itself from Rap is that the Metal drummer wrote his drum line and can faithfully reproduce it live. Most Rap artists, or at least the ones I've been exposed to, don't even have a drummer.What I will say is that I know many producers. Some of which aren't very well known, and others are. All of them can detect drum samples and overly edited music as well as auto tuned vocals when they hear it.
Cool. I'll check those out.Aesop Rock would be a good start.
It's amazing anyone feels being able to play music proficiently shouldn't be a requirement for a career in music.
I don't see computers as an instrument. IMO, pressing "Play" at a concert doesn't make you a musician.Out of curiosity, what do you feel about a lot of electronic music? A whole lot of that (not sure how much as I don't listen to it) is done completely on computer programs. Does the fact that the music is composed and created on a computer and played live on a computer take away from its musicality? Or do you and others just see computers as a new instrument?
Nice. Check this out.Here's a track off my favorite electronic album.
Power metal without dragons and swords??? Surely you jest!!! I'll believe that the day I see Oscar from Hammerfall NOT wearing 45 pounds of chains and studs!
I never said anything about technical prowess. The Beastie Boys contacted Malcolm Young one time to ask permission to use "You Shook Me All Night Long". He turned their offer down flat, because he felt like they should make their own damn song. My point being, it doesn't take that much talent to overdub lyrics using an artist's song if you're a halfway decent lyricist.
~Brian~
I too am curious how he came across Strato and if Strato has any idea about this.
No he didn't. Jens said in their forum that they weren't on the first song and I don't think he knew of the second until someone mentioned it in their forum. Of course they both have ties to Universal so maybe the label ok'd it w/o the band's knowledge.I've had some experience with sampling from the legal side. Assuming he's on a major label, I can pretty much guarantee you that his lawyers contacted Strato and came to an agreement on compensation before this song ever made a public appearance.