http://musikshop.gp.se/Magellan/pages/main.jsp?storeId=14450&pageId=collectionDisplay&viewId=1273379
check out the track 2:nd from the top
check out the track 2:nd from the top


Whoa. All I can say is, who ripped off who?
NEAT INTERVIEW WITH MIKAEL
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(Translated from a swedish Mag)
(...)
"When you record you name the songs different ways. One is called The Russian (Beneath the Mire), cause it sounds like Russian music. And then there might be one with the working title Anne-Lie Rydé (Reverie/Harlequin Forest), because I stole it from her. Please dont ask why I listen to Anne-Lie Rydé."
Mikael Åkerfeldt;6552837 said:It's actually first recorded by Monica Zetterlund I think
Mikael Åkerfeldt;6552837 said:and yeah, it's a blatant rip off.
Mikael Åkerfeldt;6552837 said:It's actually first recorded by Monica Zetterlund I think and yeah, it's a blatant rip off. I wrote the riff thinking it "resembled" that song but as I listened to both back to back it was quite obvious what my inspiration was. Well well, you can win em all. It's still a fantastic riff. The chord change from D to E is what I love so much. The Anneli Ryde version is great and so is the rest of that album which is a cover album so it's not her song at least.
Cheers
Mike

i just sent the two songs to a buddy who normally doesn´t listen to opeth and he said he didn´t think it was that resemblant.Maybe you have to had listened to the song for a long time to hear it,i dont know
yeah i agree,think that says alot about his music ear,he´s always praising nine inch nails which i think is garbage so..
NIN isn't garbage ...
Something I think is funny is that I wrote the first part of the first riff from To Bid You Farewell before I had ever heard Opeth. Same notes and rhythm and everything, then I heard TBYF and I was like "fuck it's been done before" lol.