kinda looses it power during the dubstep stuff, wish that part was more huge and sub-ish. otherwise the mix is tits, apart from the shells sounding a bit un-tact and dull. i normally don't mix other UM-people's stuff, but I'd actually love some stems for this.
Completely agreed. The 'drop' section needs a TON of work. We essentially wanted to just get the rough idea in for it, but I've been working hard at it the past couple days and will keep updating this thread.
Amazing dude , just amazing.
Please give us a little info about... everything? haha. Snare ?
Fucking love that snare!!!!
awesome job with the vocals. the harmonies are perfect
Getting lots of comments on the snare lol. I just used a snare from my personal sample library and used a chain something like:
Q10- 200Hz slight boost, 250Hz cut, 700Hz slight boost for a nice punchy mid feel.
Waves TransX-- Did some shit with it
API2500- 4:1 ration, slow attack, fast decay, -4ishdb of comp is actually happening
That's about it for the snare. I just always make sure that the snare is slammin as fuck, otherwise I won't like the mix haha.
Kick- Same thing, just used a sample of mine.
Gtrs are some sort of awesome sounding schecter---->sectret---->5150---->mesa cab---->57/421 combo
Bass- Fender american jazz bass--->TSE BOD---->AMPEG SVX
Vocals would take forever to get specific. But essentially was:
sm7 (low roll off setting)---->interface----->EQ--->Comp---->de-esser---->limiter
I basically have a template that has about 30 tracks that is what I use for EVERY band, and tweak.. But essentially the project consists of about 10 normal track to track with, and 20 effected tracks, a couple that are the same, most of them are all different used for different reasons.
I LOVE tracking vox like this, because All I have to do is arm whatever tracks I want to use, and it's done!
