Some metal guys like to mix the bass guitar over the kick, say the kick hits 60-80Hz, they'll roll off from 80Hz on the bass and smack 120Hz. This can be cool for some ultra fast stuff where you don't want to mudd up the mix too much. BUT, I personally like a lot of subsonic HUMMM from the bass.
Here are two things you guys should try and let me know if they work out good for you. Some of you may already do this kind of thing too:
Get a slightly narrow bell eq and crank 50Hz by 6db. Then crank 1-2khz. Now send the bass to some kind of compressor with a high ratio and slam it so that the thing is almost pinned, probably around 10db gain reduction. Now, put on another eq and with a narrow notch, carve out 80Hz so your kick can breathe. You'll end up with a big humm'n deep bass sound that will sound huge on guitar palm mute stuff but will still have the upper mid growl.
Now check this out: Set up an aux and put a thick and wide chorus on it. Follow it up with an eq and put a hi pass filter at 300Hz. Send some of the bass to this aux and mix in the chorused signal while monitoring with the full mix.. what you'll hear is that the bass will have a wider, more massive presence. The reason you follow the chorus with a hi pass is because it'll muck the low end up, the chorus is mainly to spread the upper mids in the stereo spectrum.
Lemme know how this works for you guys.
Here are two things you guys should try and let me know if they work out good for you. Some of you may already do this kind of thing too:
Get a slightly narrow bell eq and crank 50Hz by 6db. Then crank 1-2khz. Now send the bass to some kind of compressor with a high ratio and slam it so that the thing is almost pinned, probably around 10db gain reduction. Now, put on another eq and with a narrow notch, carve out 80Hz so your kick can breathe. You'll end up with a big humm'n deep bass sound that will sound huge on guitar palm mute stuff but will still have the upper mid growl.
Now check this out: Set up an aux and put a thick and wide chorus on it. Follow it up with an eq and put a hi pass filter at 300Hz. Send some of the bass to this aux and mix in the chorused signal while monitoring with the full mix.. what you'll hear is that the bass will have a wider, more massive presence. The reason you follow the chorus with a hi pass is because it'll muck the low end up, the chorus is mainly to spread the upper mids in the stereo spectrum.
Lemme know how this works for you guys.