Personally, I think the cali diamond, treadplate cab and condenser microphone combination SUX! The only good aspect of this combination is the bottom end, it is really tight. Don't get me wrong, I have heard plenty of great results from people using this combination or a similar list of components but it requires a lot of post processing. Despite the tight bottom end, the condenser scoops way too much 650-900Hz and accentuates some nasty top end (Specific to these components), the tread-plate has this awful ring around 4.3K, the top end in general with this combination leaves a lot to be desired.
Everyone jumps to this preset as a default setting just because joey used it once (I don't know what album but by the sound of it, reckless and relentless) and end up producing a cold, scooped out feculent ridden guitar tone. This combo sounded good on Joey's mix in an exclusive context, with a particular player and a particular set of components.
Other people may disagree, but I think if you try to recreate a particular sound you will probably just end up making a mess. You are dealing with a completely different instrument, outboard signal chain and guitar player.
I would suggest to read about setting up your guitar and DI signal, there is lots of great info on this forum. I would just set up a tube screamer in Pod Farm and go through every amp model there is until you find the tone you think sounds best, then go through all the cabs and microphones. Trust your ears, hopefully some of the other members on this forum can add to this, there are some really talented people here who all have their own methods and sounds!
An audio clip of your progress would be great!
(Y) 
