The Official Python (Monty) Thread

Salesman: (shouting) Albatross....albatross....albatross....
albatross....albatross...albatross....albatross....albatross

Man: Two good humors please.

S: I haven't got any good humors, I've just got this bloody
albatross....(shouts) Albatross

M: What flavor is it?

S: It's a bird mate, it's a bloody bird, it's not any bloody
flavor....(shouts) Albatross

M: It's got to be some flavor, I mean everything's got a flavor.

S: All right, it's blood albatross flavor, it's bloody sea bloody bird
bloody flavor....(shouts) Albatross

M: Do you get wafers with it?

S: Course you don't get bloody wafers with it, it's a bloody albatross
isn't it...(shouts) Albatross

M: I'll have two please.

S: I've only got one you cocksucker....(shouts) Albatross....albatross....
albatross....albatross
 
Sit on my face, and tell me that you love me.
I'll sit on your face and tell you I love you, too.
I love to hear you moralise,
When I'm between your thighs;
You blow me away!

Sit on my face and let my lips embrace you.
I'll sit on your face and let my love be truly.
Life can be fine if we both sixty-nine,
And we'll sit on our faces in all sorts of places and play,
'Till we're blown away!
 
:lol: :devil: :lol:


The Cast (in order of appearance.)
M= Man looking for an argument
R= Receptionist
Q= Abuser
A= Arguer (John Cleese)
C= Complainer (Eric Idle)
H= Head Hitter


M: Ah. I'd like to have an argument, please.
R: Certainly sir. Have you been here before?
M: No, I haven't, this is my first time.
R: I see. Well, do you want to have just one argument, or were you thinking of taking a course?
M: Well, what is the cost?
R: Well, It's one pound for a five minute argument, but only eight pounds for a course of ten.
M: Well, I think it would be best if I perhaps started off with just the one and then see how it goes.
R: Fine. Well, I'll see who's free at the moment.
Pause
R: Mr. DeBakey's free, but he's a little bit conciliatory.
Ahh yes, Try Mr. Barnard; room 12.
M: Thank you.

(Walks down the hall. Opens door.)

Q: WHAT DO YOU WANT?
M: Well, I was told outside that...
Q: Don't give me that, you snotty-faced heap of parrot droppings!
M: What?
Q: Shut your festering gob, you tit! Your type really makes me puke, you vacuous, coffee-nosed, maloderous, pervert!!!
M: Look, I CAME HERE FOR AN ARGUMENT, I'm not going to just stand...!!
Q: OH, oh I'm sorry, but this is abuse.
M: Oh, I see, well, that explains it.
Q: Ah yes, you want room 12A, Just along the corridor.
M: Oh, Thank you very much. Sorry.
Q: Not at all.
M: Thank You.
(Under his breath) Stupid git!!

(Walk down the corridor)
M: (Knock)
A: Come in.
M: Ah, Is this the right room for an argument?
A: I told you once.
M: No you haven't.
A: Yes I have.
M: When?
A: Just now.
M: No you didn't.
A: Yes I did.
M: You didn't
A: I did!
M: You didn't!
A: I'm telling you I did!
M: You did not!!
A: Oh, I'm sorry, just one moment. Is this a five minute argument or the full half hour?
M: Oh, just the five minutes.
A: Ah, thank you. Anyway, I did.
M: You most certainly did not.
A: Look, let's get this thing clear; I quite definitely told you.
M: No you did not.
A: Yes I did.
M: No you didn't.
A: Yes I did.
M: No you didn't.
A: Yes I did.
M: No you didn't.
A: Yes I did.
M: You didn't.
A: Did.
M: Oh look, this isn't an argument.
A: Yes it is.
M: No it isn't. It's just contradiction.
A: No it isn't.
M: It is!
A: It is not.
M: Look, you just contradicted me.
A: I did not.
M: Oh you did!!
A: No, no, no.
M: You did just then.
A: Nonsense!
M: Oh, this is futile!
A: No it isn't.
M: I came here for a good argument.
A: No you didn't; no, you came here for an argument.
M: An argument isn't just contradiction.
A: It can be.
M: No it can't. An argument is a connected series of statements intended to establish a proposition.
A: No it isn't.
M: Yes it is! It's not just contradiction.
A: Look, if I argue with you, I must take up a contrary position.
M: Yes, but that's not just saying 'No it isn't.'
A: Yes it is!
M: No it isn't!

A: Yes it is!
M: Argument is an intellectual process. Contradiction is just the automatic gainsaying of any statement the other person makes.
(short pause)
A: No it isn't.
M: It is.
A: Not at all.
M: Now look.
A: (Rings bell) Good Morning.
M: What?
A: That's it. Good morning.
M: I was just getting interested.
A: Sorry, the five minutes is up.
M: That was never five minutes!
A: I'm afraid it was.
M: It wasn't.
Pause
A: I'm sorry, but I'm not allowed to argue anymore.
M: What?!
A: If you want me to go on arguing, you'll have to pay for another five minutes.
M: Yes, but that was never five minutes, just now. Oh come on!
A: (Hums)
M: Look, this is ridiculous.
A: I'm sorry, but I'm not allowed to argue unless you've paid!
M: Oh, all right.
(pays money)
A: Thank you.
short pause
M: Well?
A: Well what?
M: That wasn't really five minutes, just now.
A: I told you, I'm not allowed to argue unless you've paid.
M: I just paid!
A: No you didn't.
M: I DID!
A: No you didn't.
M: Look, I don't want to argue about that.
A: Well, you didn't pay.
M: Aha. If I didn't pay, why are you arguing? I Got you!
A: No you haven't.
M: Yes I have. If you're arguing, I must have paid.
A: Not necessarily. I could be arguing in my spare time.
M: Oh I've had enough of this.
A: No you haven't.
M: Oh Shut up.

(Walks down the stairs. Opens door.)

M: I want to complain.
C: You want to complain! Look at these shoes. I've only had them three weeks and the heels are worn right through.
M: No, I want to complain about...
C: If you complain nothing happens, you might as well not bother.
M: Oh!
C: Oh my back hurts, it's not a very fine day and I'm sick and tired of this office.


(Slams door. walks down corridor, opens next door.)

M: Hello, I want to... Ooooh!
H: No, no, no. Hold your head like this, then go Waaah. Try it again.
M: uuuwwhh!!
H: Better, Better, but Waah, Waah! Put your hand there.
M: No.
H: Now..
M: Waaaaah!!!
H: Good, Good! That's it.
M: Stop hitting me!!
H: What?
M: Stop hitting me!!
H: Stop hitting you?
M: Yes!
H: Why did you come in here then?
M: I wanted to complain.
H: Oh no, that's next door. It's being-hit-on-the-head lessons in here.
M: What a stupid concept.
 
You know, xeno, that was the sketch I was gonna copy/paste this morning. So intead, I'll have to go for... :heh:


A customer enters a pet shop.

Customer: 'Ello, I wish to register a complaint.

(The owner does not respond.)

C: 'Ello, Miss??
Owner: What do you mean "miss"??
C: <pause> I'm sorry, I have a cold. I wish to make a complaint!!
O: We're closin' for lunch.
C: Never mind that, my lad. I wish to complain about this parrot what I purchased not half an hour ago from this very boutique.
O: Oh yes, the, uh, the Norwegian Blue...What's,uh...What's wrong with it??
C: I'll tell you what's wrong with it, my lad. 'E's dead, that's what's wrong with it!!
O: No, no, 'e's uh... he's resting.
C: Look, matey, I know a dead parrot when I see one, and I'm looking at one right now.
O: No no he's not dead, he's, he's restin'!! Remarkable bird, the Norwegian Blue, idn'it, ay?? Beautiful plumage!!
C: The plumage don't enter into it. It's stone dead.
O: Nononono, no, no!! 'E's resting!!
C: All right then, if he's restin', I'll wake him up!! (shouting at the cage) 'Ello, Mister Polly Parrot!! I've got a lovely fresh cuttle fish for you if you show...(owner hits the cage)
O: There, he moved!!
C: No, he didn't, that was you hitting the cage!!
O: I never!!
C: Yes, you did!!
O: I never, never did anything...
C: (yelling and hitting the cage repeatedly) 'ELLO POLLY!! Testing!! Testing!! Testing!! Testing!! This is your nine o'clock alarm call!!

(Takes parrot out of the cage and thumps its head on the counter. Throws it up in the air and watches it plummet to the floor.)

C: Now that's what I call a dead parrot.
O: No, no.....No, 'e's stunned!!
C: STUNNED??
O: Yeah!! You stunned him, just as he was wakin' up!! Norwegian Blues stun easily, major.
C: Um... now look... now look, mate, I've definitely 'ad enough of this. That parrot is definitely deceased, and when I purchased it not 'alf an hour ago, you assured me that its total lack of movement was due to it bein' tired and shagged out following a prolonged squawk.
O: Well, he's...he's, ah...probably pining for the fjords.
C: PININ' for the FJORDS?!?!?!? What kind of talk is that?? Look, why did he fall flat on his back the moment I got 'im home??
O: The Norwegian Blue prefers kippin' on it's back!! Remarkable bird, id'nit, squire?? Lovely plumage!!
C: Look, I took the liberty of examining that parrot when I got it home, and I discovered the only reason that it had been sitting on its perch in the first place was that it had been NAILED there.

(pause)

O: Well, o'course it was nailed there!! If I hadn't nailed that bird down, it would have nuzzled up to those bars, bent 'em apart with its beak, and VOOM!! Feeweeweewee!!
C: "VOOM"?? Mate, this bird wouldn't "voom" if you put four million volts through it!! 'E's bleedin' demised!!
O: No no!! 'E's pining!!
C: 'E's not pinin'!! 'E's passed on!! This parrot is no more!! He has ceased to be!! 'E's expired and gone to meet 'is maker!! 'E's a stiff!! Bereft of life, 'e rests in peace!! If you hadn't nailed 'im to the perch 'e'd be pushing up the daisies!! 'Is metabolic processes are now 'istory!! 'E's off the twig!! 'E's kicked the bucket, 'e's shuffled off 'is mortal coil, run down the curtain and joined the bleedin' choir invisibile!! THIS IS AN EX-PARROT!!

(pause)

O: Well, I'd better replace it, then.
(he takes a quick peek behind the counter)
O: Sorry squire, I've had a look 'round the back of the shop, and uh, we're right out of parrots.
C: I see. I see, I get the picture.
O: <pause> I got a slug.

(pause)

C: (sweet as sugar) Pray, does it talk??
O: Nnnnot really.
C: WELL IT'S HARDLY A BLOODY REPLACEMENT, IS IT?!!???!!?
O: Look, if you go to my brother's pet shop in Bolton, he'll replace the parrot for you.
C: Bolton, eh?? Very well.

The customer leaves.

The customer enters the same pet shop. The owner is putting on a false moustache.

C: This is Bolton, is it??
O: (with a fake mustache) No, it's Ipswitch.
C: (looking at the camera) That's inter-city rail for you.

The customer goes to the train station.
He addresses a man standing behind a desk marked "Complaints".

C: I wish to complain, British-Railways Person.
Attendant: I DON'T HAVE TO DO THIS JOB, YOU KNOW!!
C: I beg your pardon...??
A: I'm a qualified brain surgeon!! I only do this job because I like being my own boss!!
C: Excuse me, this is irrelevant, isn't it??
A: Yeah, well it's not easy to pad these Python files out to 200 lines, you know.
C: Well, I wish to complain. I got on the Bolton train and found myself deposited here in Ipswitch.
A: No, this is Bolton.
C: (to the camera) The pet shop man's brother was lying!!
A: Can't blame British Rail for that.
C: In that case, I shall return to the pet shop!!

He does.

C: I understand this IS Bolton.
O: (still with the fake mustache) Yes??
C: You told me it was Ipswich!!
O: ...It was a pun.
C: (pause) A PUN??
O: No, no...not a pun...What's that thing that spells the same backwards as forwards?
C: (Long pause) A palindrome...??
O: Yeah, that's it!!
C: It's not a palindrome! The palindrome of "Bolton" would be "Notlob"!! It don't work!!
O: Well, what do you want??
C: I'm not prepared to pursue my line of inquiry any longer as I think this is getting too silly!!

Sergeant-Major: Quite agree, quite agree, too silly, far too silly...


:lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol:

Y'know, it's even funnier when they do it live, because when John Cleese (Customer) goes on about "Pining for the FJORDS??", Michael Palin can never stop himself from bursting out laughing... :lol:
 
The Man with Three Buttocks
The cast:

ANNOUNCER Eric Idle
HOST John Cleese
ARTHUR FRAMPTON Terry Jones

The sketch:

Announcer: And now for something completely different. A man with three buttocks!

Host : I have with me Mr Arthur Frampton who... (pause) Mr. Frampton, I understand that you - um - as it were... (pause) Well let me put it another way. Erm, I believe that whereas most people have - er - two... Two.

Frampton: Oh, sure.

Host: Ah well, er, Mr Frampton. Erm, is that chair comfortable?

Frampton: Fine, yeah, fine.

Host: Mr Frampton, er, vis a vis your... (pause) rump.

Frampton: I beg your pardon?

Host: Your rump.

Frampton: What?

Host: Er, your derriere. (Whispers) Posterior. Sit-upon.

Frampton: What's that?

Host: (whispers) Your buttocks.

Frampton: Oh, me bum!

Host: (hurriedly) Sshhh! Well now, I understand that you, Mr Frampton, have a... (pause) 50% bonus in the region of what you say.

Frampton: I got three cheeks.

Host: Yes, yes, excellent, excellent. Well we were wondering, Mr Frampton, if you could see your way clear to giving us a quick... (pause) a quick visual... (long pause). Mr Frampton, would you take your trousers down.

Frampton: What? (to cameramen) 'Ere, get that away! I'm not taking me trousers down on television. What do you think I am?

Host: Please take them down.

Frampton: No!

Host: No, er look, er Mr Frampton. It's quite easy for somebody just to come along here claiming... that they have a bit to spare in the botty department. The point is, our viewers need proof.

Frampton: I've been on Persian Radio ... Get off! Arthur Figgis knows I've got three buttocks.

Host: How?

Frarnpton: We go cycling together.

(Cut to shot of two men riding tandem. The one behind (Graham) looks down, looks up and exclaims 'strewth '.)

Announcer: (sitting at desk) And now for something completely different. A man with three buttocks.

(Interview studio again.)

Interviewer: Good evening, I have with me Mr Arthur Frampton, who.. Mr Frampton I understand that you, as it were - well let me put it another way... I believe Mr Frampton that whereas most people... didn't we do this just now?

Frampton: Er ... yes.

Interviewer: Well why didn't you say so?

Frarnpton: I thought it was the continental version.

(Cut back to Announcer sitting confidently at desk)

Announcer: And now for something completely the same - a man with three buttocks. (phone on desk rings - he answers) Hullo? ... Oh, did we. (puts phone down and looks at camera) And now for something completely different. A man with three noses.

Off-Screen Voice: He's not here yet!

Announcer: Two Noses?
 
"'E's not pinin'! 'E's passed on! This parrot is no more! He has ceased to be! 'E's expired and gone to meet 'is maker! 'E's a stiff! Bereft of life, 'e rests in peace! If you hadn't nailed 'im to the perch 'e'd be pushing up the daisies! 'Is metabolic processes are now 'istory! 'E's off the twig! 'E's kicked the bucket, 'e's shuffled off 'is mortal coil, run down the curtain and joined the bleedin' choir invisibile!!He's f**kin' snuffed it!..... THIS IS AN EX-PARROT!"


And ~Z~ stole my favourite eva Python quote.... so I believe I'll just say it again!! :p







..................................









Lemon Curry!!? :err: :confused:

:D
 
Halt!! Who goes there??

It is I, Arthur, son of Uther Pendragon, from the castle of Camelot. King of the Britons, defeater of the Saxons, sovereign of all England!!

Pull the other one!! [:lol:]

I am!! And this is my trusty servant Patsy. We have ridden the length and breadth of the land in search of knights who will join me in my court at Camelot. I must speak with your lord and master.

What, ridden on a horse??

Yes...??

You're using coconuts!!

What??

You've got two empty halves of coconut and you're bangin' 'em together!!

So? We have ridden since the snows of winter covered this land, through the kingdom of Mercia, through...

Where'd you get the coconuts??

We found them.

Found them?? In Mercia?? The coconut's tropical!!

What do you mean??

Well, this is a temperate zone.

The swallow may fly south with the sun or the house martin or the plover may seek warmer climes in winter, yet these are not strangers to our land??

Are you suggesting coconuts migrate?? [:lol: Best Line Of Film!! :lol:]

Not at all, they could be carried.

What, a swallow carrying a coconut??

It could grip it by the husk!!

It's not a question of where he grips it. It's a simple question of weight ratios. A five-ounce bird cannot carry a one-pound coconut.

Well, it doesn't matter. Will you go and tell your master that Arthur from the court of Camelot is here?

Listen - in order to maintain air-speed velocity, a swallow needs to beat its wings forty-three times every second, right?

Please!!

Am I right??

I'm not interested!!

It could be carried by an African swallow.

Oh yeah, an African swallow maybe, but not a European swallow, that's my point.

Oh yeah, I agree with that.

Will you ask your master if he wants to join my court at Camelot??

But then of course, uh, African swallows are non-migratory.

Oh yeah.

So they couldn't bring a coconut back anyway.

Wait a minute!! Supposing two swallows carried it together??

No, they'd have to have it on a line.

Simple!! They'd just use a strand of creeper!!

What, held under the dorsal guiding feathers??

Well, why not??


:lol: :lol: :lol: :lol: :lol: