Show up, check in, get set time, load gear in, set up, play, break down, load into truck/trailer/cars, hang out for rest of bands, drive home.
Seriously, not sure what you're asking. Volume-wise, I'd start at band practice levels and adjust from there. Every venue will sound different.
100 watt head for small venues? Really? I would go for something much smaller, like say a Dark Terror or something... do these places have a PA?
Why not just use the master volume to turn it down? Metal doesn't require power tubes to be pushed that much and I personally hate little power tubes in metal amps anyway.100 watt head for small venues? Really? I would go for something much smaller, like say a Dark Terror or something... do these places have a PA?
If you're mainly playing in small venues, the Engl Fireball 60 will be more than adequate. I've played small and big venues with 50 watt heads and never had the need for all that power.
I dunno, I just think it's a bit of a waste forking out all that cash for a high wattage amp when (a) you're never going to use its full potential and (b) there are some excellent sounding low wattage amps these days.Why not just use the master volume to turn it down? Metal doesn't require power tubes to be pushed that much and I personally hate little power tubes in metal amps anyway.
Price + portability?Not sure what the point of getting a small head for gigs is. Home use, maybe. If you're going live go big.
70% of venues own a PA
i have a engl fireball 60 that's great
planning to buy the 100 because the noise gate.
Do what the sound guy tells you
Surprised the Fireball 60 isn't loud enough for you then. Will a noise gate pedal not help you if it's the noise that's the main problem....?