Hopefully it will be useful to someone
New York Compression (ie: Parallel compression) without a digital side chain option in your plugin (example logic's multipressor)
1: Bus the Drum Kit to a stereo compressor
2: Compress Pretty Hard (8-12dB) pending on the track
3: Return the output of the compressor to a pair of fader inputs on the console
4: Add a decent amount of high end (6-10dB at around 10kHz) & decent amount of low end (6-10dB at around 100Hz)
5: Increase the slider levels until its just below the current rhythm section. The rhythm should now sound larger & more controlled while not being overly compressed
If you find the bass and the kick drum are no longer locking together you can take a separate bus of the kick & bass and squash them to bits, add a little more low end (say 2-4dB at around 100Hz) and slowly bring it into the mix just under the current rhythm section. Doing this makes more room for your guitars and vocals at whatever else you have in your mix
New York Compression (ie: Parallel compression) without a digital side chain option in your plugin (example logic's multipressor)
1: Bus the Drum Kit to a stereo compressor
2: Compress Pretty Hard (8-12dB) pending on the track
3: Return the output of the compressor to a pair of fader inputs on the console
4: Add a decent amount of high end (6-10dB at around 10kHz) & decent amount of low end (6-10dB at around 100Hz)
5: Increase the slider levels until its just below the current rhythm section. The rhythm should now sound larger & more controlled while not being overly compressed
If you find the bass and the kick drum are no longer locking together you can take a separate bus of the kick & bass and squash them to bits, add a little more low end (say 2-4dB at around 100Hz) and slowly bring it into the mix just under the current rhythm section. Doing this makes more room for your guitars and vocals at whatever else you have in your mix