seems like a beneficial set up. you can get the kit more symmetrical, it's easier to play, you can sneak the snare mic right down the center, and you can put those hats out in left field (to reduce bleed.) not to mention you have two different tracks making quantization and editing twice as easy. seems well worth it for me to try and convince drummers in future projects to leave that double cobra packed up and try out this method. anyone have any tips/pointers for tracking two kicks??
i had the idea just now of recording samples of whichever kick drum sounds better, and then have that kick drum be the main kick (the right for a righty). and then leave that one natural in the mix, BUT replace the LEFT kick with the samples of the one on the right. so the left is replaced, the right stays natural, and they both make the same sound. this enables us to use whatever cheap shitty kick is laying around to be the second one, also. and for ME anyway, double bass is easier when it's on two drums that sound different. but i'm certainly not a legit drummer, either...heh.
anyone know of any big names ever doing something like that? seems like it'd work great and sound super transparent.
i had the idea just now of recording samples of whichever kick drum sounds better, and then have that kick drum be the main kick (the right for a righty). and then leave that one natural in the mix, BUT replace the LEFT kick with the samples of the one on the right. so the left is replaced, the right stays natural, and they both make the same sound. this enables us to use whatever cheap shitty kick is laying around to be the second one, also. and for ME anyway, double bass is easier when it's on two drums that sound different. but i'm certainly not a legit drummer, either...heh.
anyone know of any big names ever doing something like that? seems like it'd work great and sound super transparent.