^ True dhat.
I dislike the fact that the internet has turned an effective business model that for about 7 decades (roughly from the 20s to the 90's) favored musicians and labels, into something that actually favors the listener almost exclusively these days. Nowadays a ''fan'' can get ALL the discography of an artist, the effort of the AEs, labels, all the investments and efforts put into making the music, for free.. and even be too much of a parasite as to not even bother to pay for a ticket and physically go to a concert, when DVDs, sorround blu-rays, live streamings, etc can also be had, and with ever increasing quality, ironically enough.
In a way technology encourages this couch-warming, parasitic behavior IMO.
Some 10 years ago when that whole Napster-Audiogalaxy kind of sites started popping out one after the next (and Metallica failed miserably at fighting them btw) I remember thinking to myself 'ahw shit'. Right then one would see all these events unfolding, and the increment on internet speeds is what will keep making matters worse I think. Too bad music is becoming less and less of a physical consumer product
The free flow of information favors everyone in more ways than one, but the way I see it, piracy is just a by-product of that freedom; one is tied to the other. I think we will somewhat be going back to the days before recorded media, when for instance, struggling baroque musicians had to travel from town to village and perform regularly, and to barely earn a living
I think all this affects the 'smaller' guys (metal included) more so than commercial artists who can
still get by fine. But the alternative of censorship attempts (which I also seem unstoppable) is even much worse, because in practical terms that means third parties wanting to make a big buck on the work of others, censoring whatever they want and patenting all sorts of technologies (say convolution, for example) for their benefit and that of monopolies.