|ngenius
Little Grasshopper
rahvin said:of course. this thread is my own, you understand! my own! *shakes walking stick with a knob on the end* (...) the message wasn't exactly: i want a report on that film on my desk by thursday morning.
Yeah, that's pretty clear, I just unfolded a bit of courtesy by bringing back the chance of speaking about something we can ponder about without having to rent dozens of spanish movies. But don't hit me with that stick, you, old gentleman. Thursday morning? Can I do it... let's say... right now?
I'll have to watch the movie once again to refresh my memory and know who's that Ellie, I barely remember the english names. But I would add some points to think about, taking what I think is the matter on this thread and the reason that moved you, my italian friend, to start this thread.
And it is the human part of the movie and its weakness (aside from the confusing mix of images and plot lines) what seeds some fears in us... or maybe simply stirs them. The image of the rich man who succeed in almost everything in life without moving a single finger, thanks to the inherited fortune and his good-looking appearance that are valuable factors on the modern society. Maybe we can dive into this kind of mind, pointing out certain inconveniences, but this is not what I'm going to put under the light, right now. It's specially touching how a sudden car-accident makes change everything you thought was steadily and inherently part of you, things that seemed to define you in the past and, in a second, are no longer part of your life and leave you in the cold. Think it is the point Rahvin mentioned as "scary", and personally I find that human aspect so interesting. Of course, this is reforced with the unreal reality that the main character lives in, and a nightmare of changing girls.
I've got the movie around here, I'll try to watch it again.
|ngenius (In a rush, I'll try to specify laterrrr!)